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Yoshihiro Suda hace habitable el vacío / Chillida, Godofredo J.
En el presente artículo trataré una manera particular de mostrarse el arte, lo que obligará a re-visitar las definiciones básicas de: sujeto que observa, objeto que es observado y espacio de exposición. [...]
In the present article I will focus the aim on how the art is shown, this issue we will force to give a new definition about: subject that observes, object that are observed and space of exhibition. For that, I will base my glance at the Japanese artist Yoshihiro Suda who makes use of a traditional vision respect to the world of the nature (including a the human being) and the world of the art (like own exercise of the people) but, nevertheless, no school or contemporary movement does force to him to assign himself a necessary codification to being classified within the present artistic context. [...]
2007
Disturbis, Núm. 1 (2007) p. 1-10

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