e7ff614780c4dfaf1702680609713289 rea_0035-2004_2001_num_103_3_4843.pdf 59dd9c5e8fa69ee55b7a058b3ced6be2f6c82591 rea_0035-2004_2001_num_103_3_4843.pdf 24178ffe2bb7d8004b1745b26b949218859bae81261e8a26c3fb5725a791bcbf rea_0035-2004_2001_num_103_3_4843.pdf Title: Mart., 5, 34, 7-8 y la Voz de los Muertos Subject: nullL'objectif de ces pages est d'analyser les vers de Mart. 5, 34, ν. 7-8, du point de vue des influences épigraphiques . Nous proposons une ponctuation différente ainsi qu'une nouvelle analyse de garrire et de blaeso ore, se rapportant non pas à Erotion mais à Mart. Dans un même temps, nous interprétons les vers à la lumière d'un dialogue funèbre entre la jeune morte , Erotion, et le poète, Mart. A qui Erotion répond dans le vers 8. De même nous proposons également des rectifications en ce qui concerne ludas au lieu de ludat et garrías à la place de garriat. The aim of these pages is to analyse Mart. 5, 34, v. 7-8, from the point of view of its epigraphic influence. We propose a punctuation change, as well as a new analysis of garrire and blaeso ore, related not to Erotion, but to Mart. At the same time, we interpret the verses under the light of a "funereal" dialog between the dead girl, Erotion, to whom the poet addresses in v.7, and the poet, Mart., to whom Erotion answers in v.8. Following this idea, we also propose emendationes, concerning ludas instead of ludat and garrías instead of garriat. Author: Joan Gómez Pallarès Producer: iText 5.0.2 (c) 1T3XT BVBA CreationDate: Mon Apr 23 16:45:39 2018 CEST ModDate: Mon Apr 23 16:45:39 2018 CEST Custom Metadata: no Metadata Stream: no Tagged: no UserProperties: no Suspects: no Form: none JavaScript: no Pages: 12 Encrypted: no Page size: 595 x 842 pts (A4) Page rot: 0 File size: 1126512 bytes Optimized: no PDF version: 1.6 name type encoding emb sub uni object ID ------------------------------------ ----------------- ---------------- --- --- --- --------- Helvetica Type 1 WinAnsi no no no 4 0 FBCVUZ+ArialMT CID TrueType Identity-H yes yes yes 5 0 JTRSDA+Code2000 CID TrueType Identity-H yes yes yes 25 0 Jhove (Rel. 1.28.0, 2023-05-18) Date: 2025-10-18 03:10:59 CEST RepresentationInformation: rea_0035-2004_2001_num_103_3_4843.pdf ReportingModule: PDF-hul, Rel. 1.12.4 (2023-03-16) LastModified: 2025-10-17 04:47:35 CEST Size: 1126512 Format: PDF Version: 1.6 Status: Well-Formed and valid SignatureMatches: PDF-hul MIMEtype: application/pdf PDFMetadata: Objects: 105 FreeObjects: 3 IncrementalUpdates: 0 DocumentCatalog: PageLayout: SinglePage PageMode: UseOutlines Outlines: Item: Title: Informations Destination: 1 Children: Item: Title: Informations sur Joan Gómez Pallarès Item: Title: Pagination Destination: 1 Children: Item: Title: 497 Destination: 1 Item: Title: 498 Destination: 1 Item: Title: 499 Destination: 1 Item: Title: 500 Destination: 1 Item: Title: 501 Destination: 1 Item: Title: 502 Destination: 1 Item: Title: 503 Destination: 1 Item: Title: 504 Destination: 1 Item: Title: 505 Destination: 1 Item: Title: 506 Destination: 1 Item: Title: 507 Destination: 1 Info: Title: Mart., 5, 34, 7-8 y la Voz de los Muertos Author: Joan Gómez Pallarès Subject: nullL'objectif de ces pages est d'analyser les vers de Mart. 5, 34, ν. 7-8, du point de vue des influences épigraphiques . Nous proposons une ponctuation différente ainsi qu'une nouvelle analyse de garrire et de blaeso ore, se rapportant non pas à Erotion mais à Mart. Dans un même temps, nous interprétons les vers à la lumière d'un dialogue funèbre entre la jeune morte , Erotion, et le poète, Mart. A qui Erotion répond dans le vers 8. De même nous proposons également des rectifications en ce qui concerne ludas au lieu de ludat et garrías à la place de garriat. The aim of these pages is to analyse Mart. 5, 34, v. 7-8, from the point of view of its epigraphic influence. We propose a punctuation change, as well as a new analysis of garrire and blaeso ore, related not to Erotion, but to Mart. At the same time, we interpret the verses under the light of a "funereal" dialog between the dead girl, Erotion, to whom the poet addresses in v.7, and the poet, Mart., to whom Erotion answers in v.8. Following this idea, we also propose emendationes, concerning ludas instead of ludat and garrías instead of garriat. 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