459f90c4b5bfe10c5c80078a1b24f10e bulhispan_a2002v104n2p673.pdf 2042a8af06ebde7026b81c16ffc83485b43cf62f bulhispan_a2002v104n2p673.pdf a7c544c66c1df2233275f7856a6d02e1d8c155c0b3a719e15e690cf343245e23 bulhispan_a2002v104n2p673.pdf Title: A pie de imprentas. Páginas y noticias de Cervantes viejo Subject: nullThis article deals with two dedications signed by the publisher Francisco de Robles but which most certainly written by Cervantes along with an equally cervantine prologue «To the Reader» found in the Obras of Diego Hurtado de Mendoza, 1610. All three texts are reproduced in the article. By examining in detail these books, and more specifi- cally the bibliographie history ofthe Obras of Blosio (Louis de Blois), we can learn something about the final years of Cervantes's life. They also offer some enlightenment concerning Don Quixote as well as on the printing office (in Barcelona, not Taragona) where Avellaneda's fake sequel was produced. Se publican y estudian dos dedicatorias firmadas por el editor Francisco de Robles, pero sin duda escritas por Cervantes (como inconfundiblemente cervantino es el prólogo «Al lector» en las Obras de Diego Hurtado de Mendoza, 1610, también reproducido aquí). Las circunstancias de los libros en que esas dedicatorias aparecieron, y en particular la bibliografía de las Obras de Blosio (Louis de Blois), permiten entrever ciertos aspectos de la vida de Cervantes en sus últimos años y arrojan luz sobre algún pasaje del Quijote y sobre el taller (en Barcelona, no en Tarragona) que imprimió la imitación de Avellaneda. Sont ici publiées et analysées deux dédicaces signées par l'éditeur Francisco de Robles mais certainement écrites par Cervantes (de même que le prologue «Au lecteur» des Œuvres de Diego Hurtado de Mendoza, 1610, également reproduit ici, est, sans équivoque possible, cervantin). Les particularités des livres où figurent ces dédicaces, et en particulier la bibliographie des Œuvres de Louis de Blois, laissent entrevoir certains aspects de la vie de Cervantes dans ses dernières années et apportent une lumière sur tel passage du Quichotte ainsi que sur l'atelier (de Barcelone, pas de Tarragone) qui a imprimé l'imitation dAvellaneda. Author: Francisco Rico Producer: iText 5.0.2 (c) 1T3XT BVBA CreationDate: Sat May 26 12:01:04 2018 CEST ModDate: Sat May 26 12:01:04 2018 CEST Custom Metadata: no Metadata Stream: no Tagged: no UserProperties: no Suspects: no Form: none JavaScript: no Pages: 32 Encrypted: no Page size: 595 x 842 pts (A4) Page rot: 0 File size: 8950329 bytes Optimized: no PDF version: 1.6 name type encoding emb sub uni object ID ------------------------------------ ----------------- ---------------- --- --- --- --------- Helvetica Type 1 WinAnsi no no no 3 0 IWUWVT+ArialMT CID TrueType Identity-H yes yes yes 4 0 RDYVFP+Code2000 CID TrueType Identity-H yes yes yes 35 0 Helvetica Type 1 WinAnsi no no no 140 0 Jhove (Rel. 1.28.0, 2023-05-18) Date: 2026-02-14 04:53:35 CET RepresentationInformation: bulhispan_a2002v104n2p673.pdf ReportingModule: PDF-hul, Rel. 1.12.4 (2023-03-16) LastModified: 2026-02-13 18:36:58 CET Size: 8950329 Format: PDF Version: 1.6 Status: Well-Formed and valid SignatureMatches: PDF-hul MIMEtype: application/pdf PDFMetadata: Objects: 266 FreeObjects: 1 IncrementalUpdates: 0 DocumentCatalog: PageLayout: SinglePage PageMode: UseOutlines Outlines: Item: Title: Informations Destination: 1 Children: Item: Title: Informations sur Francisco Rico Item: Title: Cet article cite : Destination: 1 Children: Item: Title: Péligry Christian. Un libraire madriléne du Siècle d'Or : Francisco López le jeune (1545-1608). In: Mélanges de la Casa de Velázquez, tome 12, 1976. pp. 219-250. Item: Title: Rico Francisco. "Don Quijote", Madrid, 1604, en prensa. In: Bulletin Hispanique. Tome 101, N°2, 1999. pp. 415-434. Item: Title: Pagination Destination: 1 Children: Item: Title: 673 Destination: 1 Item: Title: 674 Destination: 1 Item: Title: 675 Destination: 1 Item: Title: 676 Destination: 1 Item: Title: 677 Destination: 1 Item: Title: 678 Destination: 1 Item: Title: 679 Destination: 1 Item: Title: 680 Destination: 1 Item: Title: 681 Destination: 1 Item: Title: 682 Destination: 1 Item: Title: 683 Destination: 1 Item: Title: 684 Destination: 1 Item: Title: 685 Destination: 1 Item: Title: 686 Destination: 1 Item: Title: 687 Destination: 1 Item: Title: 688 Destination: 1 Item: Title: 689 Destination: 1 Item: Title: 690 Destination: 1 Item: Title: 691 Destination: 1 Item: Title: 692 Destination: 1 Item: Title: 693 Destination: 1 Item: Title: 694 Destination: 1 Item: Title: 695 Destination: 1 Item: Title: 696 Destination: 1 Item: Title: 697 Destination: 1 Item: Title: 698 Destination: 1 Item: Title: 699 Destination: 1 Item: Title: 700 Destination: 1 Item: Title: 701 Destination: 1 Item: Title: 702 Destination: 1 Item: Title: Plan Destination: 1 Children: Item: Title: Dos dedicatorias cervantinas Destination: 1 Item: Title: Problemas bibliográficos Destination: 1 Item: Title: "Hombre que escribe y trata negocios" Destination: 1 Item: Title: La "Luz del alma" y el impresor de Avellaneda Destination: 1 Info: Title: A pie de imprentas. Páginas y noticias de Cervantes viejo Author: Francisco Rico Subject: nullThis article deals with two dedications signed by the publisher Francisco de Robles but which most certainly written by Cervantes along with an equally cervantine prologue «To the Reader» found in the Obras of Diego Hurtado de Mendoza, 1610. All three texts are reproduced in the article. By examining in detail these books, and more specifi- cally the bibliographie history ofthe Obras of Blosio (Louis de Blois), we can learn something about the final years of Cervantes's life. They also offer some enlightenment concerning Don Quixote as well as on the printing office (in Barcelona, not Taragona) where Avellaneda's fake sequel was produced. Se publican y estudian dos dedicatorias firmadas por el editor Francisco de Robles, pero sin duda escritas por Cervantes (como inconfundiblemente cervantino es el prólogo «Al lector» en las Obras de Diego Hurtado de Mendoza, 1610, también reproducido aquí). Las circunstancias de los libros en que esas dedicatorias aparecieron, y en particular la bibliografía de las Obras de Blosio (Louis de Blois), permiten entrever ciertos aspectos de la vida de Cervantes en sus últimos años y arrojan luz sobre algún pasaje del Quijote y sobre el taller (en Barcelona, no en Tarragona) que imprimió la imitación de Avellaneda. Sont ici publiées et analysées deux dédicaces signées par l'éditeur Francisco de Robles mais certainement écrites par Cervantes (de même que le prologue «Au lecteur» des Œuvres de Diego Hurtado de Mendoza, 1610, également reproduit ici, est, sans équivoque possible, cervantin). Les particularités des livres où figurent ces dédicaces, et en particulier la bibliographie des Œuvres de Louis de Blois, laissent entrevoir certains aspects de la vie de Cervantes dans ses dernières années et apportent une lumière sur tel passage du Quichotte ainsi que sur l'atelier (de Barcelone, pas de Tarragone) qui a imprimé l'imitation dAvellaneda. 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