cb63659759feda0e9e80f3620c714f3b monti_a2019n11p131.pdf bdc22e5b1c808563c5aafa5f488d0baba6929662 monti_a2019n11p131.pdf aa4af3202f07cd053b62dfd9eb5ef5be6e7df54091b4fb6498a1a4adcf9466e3 monti_a2019n11p131.pdf Title: From translators to accessibility managers: How did we get there and how do we train them? Subject: Translation continues to reinvent itself. Different human actors and non-human actants drive this change, generating new forms of translation and diverse professional profiles. Audiovisual Translation (AVT) and Audiovisual Translation Studies (AVTS) have always been at the centre of these developments: AVT has been technology and industry-driven from the start and AVTS has incorporated technological and societal change as well as the forces that propel it from its inception. Meanwhile, AVT has incorporated media accessibility and has moved beyond the domain of audiovisual media in the strict sense into the provision of access to live cultural events. The present article offers some conceptual tools for understanding these developments as well as the actant-driven processes that underlie them. It traces recent developments in AVT and explains how they have given rise to the aforementioned new professional practices and profiles. It ends on an extensive case study, centring on the ACT European Erasmus+ project, which has identified and defined the emerging profile of the accessibility manager, and developed a tailor-made MOOC training course for it. Keywords: Translation studies. Accessibility. Audio description. Audiovisual translation. Estudios de traducción. Accesibilidad. Audiodescripción. Traducción audiovisual Author: Aline Remael, Pilar Orero, Sharon Black, Anna Jankowska Creator: Adobe InDesign CC 14.0 (Windows) Producer: Adobe PDF Library 15.0 CreationDate: Tue Feb 12 08:23:47 2019 CET ModDate: Tue Sep 1 11:31:06 2020 CEST Tagged: no UserProperties: no Suspects: no Form: none JavaScript: no Pages: 24 Encrypted: no Page size: 481.89 x 680.315 pts Page rot: 0 File size: 120231 bytes Optimized: yes PDF version: 1.4 name type encoding emb sub uni object ID ------------------------------------ ----------------- ---------------- --- --- --- --------- WQYYIW+BerkeleyMK-Italic Type 1C WinAnsi yes yes yes 63 0 VMOSUY+BerkeleyMK Type 1C Custom yes yes yes 64 0 TJKGSC+BerkeleyMK-Bold Type 1C WinAnsi yes yes yes 65 0 SKAAEE+BerkeleyMK-SC800 Type 1C WinAnsi yes yes yes 49 0 Jhove (Rel. 1.22.1, 2019-04-17) Date: 2020-09-02 04:57:52 CEST RepresentationInformation: monti_a2019n11p131.pdf ReportingModule: PDF-hul, Rel. 1.12.1 (2019-04-17) LastModified: 2020-09-01 11:38:29 CEST Size: 120231 Format: PDF Version: 1.4 Status: Well-Formed and valid SignatureMatches: PDF-hul MIMEtype: application/pdf Profile: Linearized PDF, ISO PDF/A-1, Level B PDFMetadata: Objects: 81 FreeObjects: 1 IncrementalUpdates: 1 DocumentCatalog: ViewerPreferences: HideToolbar: false HideMenubar: false HideWindowUI: false FitWindow: false CenterWindow: false DisplayDocTitle: false NonFullScreenPageMode: UseNone Direction: L2R ViewArea: CropBox ViewClip: CropBox PrintArea: CropBox PageClip: CropBox PageLayout: SinglePage PageMode: UseNone Language: es-ES Info: Title: From translators to accessibility managers: How did we get there and how do we train them? Author: Aline Remael, Pilar Orero, Sharon Black, Anna Jankowska Subject: Translation continues to reinvent itself. Different human actors and non-human actants drive this change, generating new forms of translation and diverse professional profiles. Audiovisual Translation (AVT) and Audiovisual Translation Studies (AVTS) have always been at the centre of these developments: AVT has been technology and industry-driven from the start and AVTS has incorporated technological and societal change as well as the forces that propel it from its inception. Meanwhile, AVT has incorporated media accessibility and has moved beyond the domain of audiovisual media in the strict sense into the provision of access to live cultural events. The present article offers some conceptual tools for understanding these developments as well as the actant-driven processes that underlie them. It traces recent developments in AVT and explains how they have given rise to the aforementioned new professional practices and profiles. It ends on an extensive case study, centring on the ACT European Erasmus+ project, which has identified and defined the emerging profile of the accessibility manager, and developed a tailor-made MOOC training course for it. Keywords: Translation studies. Accessibility. Audio description. Audiovisual translation. Estudios de traducción. Accesibilidad. Audiodescripción. Traducción audiovisual Creator: Adobe InDesign CC 14.0 (Windows) Producer: Adobe PDF Library 15.0 CreationDate: Tue Feb 12 08:23:47 CET 2019 ModDate: Tue Sep 01 11:31:06 CEST 2020 ID: 0xbf37e7942e6e0548ae20e46a1fd02bde, 0xfa31d5e0e7b2914583678ee4ddd3c48b Filters: FilterPipeline: FlateDecode Fonts: Type1: Font: BaseFont: VMOSUY+BerkeleyMK FontSubset: true FirstChar: 31 LastChar: 252 FontDescriptor: FontName: VMOSUY+BerkeleyMK Flags: Serif, Nonsymbolic FontBBox: -93, -255, 1083, 845 FontFile3: true EncodingDictionary: BaseEncoding: WinAnsiEncoding Differences: true ToUnicode: true Font: BaseFont: TJKGSC+BerkeleyMK-Bold FontSubset: true FirstChar: 32 LastChar: 237 FontDescriptor: FontName: TJKGSC+BerkeleyMK-Bold Flags: Serif, Nonsymbolic FontBBox: -102, -250, 1129, 847 FontFile3: true Encoding: WinAnsiEncoding ToUnicode: true Font: BaseFont: SKAAEE+BerkeleyMK-SC800 FontSubset: true FirstChar: 32 LastChar: 90 FontDescriptor: FontName: SKAAEE+BerkeleyMK-SC800 Flags: Serif, Nonsymbolic FontBBox: -93, -255, 1083, 845 FontFile3: true Encoding: WinAnsiEncoding ToUnicode: true Font: BaseFont: WQYYIW+BerkeleyMK-Italic FontSubset: true FirstChar: 32 LastChar: 243 FontDescriptor: FontName: WQYYIW+BerkeleyMK-Italic Flags: Serif, Nonsymbolic FontBBox: -130, -260, 1019, 848 FontFile3: true Encoding: WinAnsiEncoding ToUnicode: true XMP: 2019-02-12T08:23:47+01:00 2020-09-01T11:31:06+02:00 2020-09-01T11:31:06+02:00 Adobe InDesign CC 14.0 (Windows) uuid:e86440f7-af53-4700-a666-5b0c8fea9b6b adobe:docid:indd:774f6bd3-b6d3-11dd-80b3-b9fe23cfe49a xmp.id:4e6475ff-bf5f-4e4b-9638-2e8d9e207f47 proof:pdf xmp.iid:8d89c199-dfe9-8a40-89df-f34dfaa6c757 xmp.did:d8d0d101-894d-9343-9b83-e9de69831b1b adobe:docid:indd:774f6bd3-b6d3-11dd-80b3-b9fe23cfe49a default converted from application/x-indesign to application/pdf Adobe InDesign CC 14.0 (Windows) / 2019-02-12T08:23:47+01:00 application/pdf From translators to accessibility managers: How did we get there and how do we train them? Translation continues to reinvent itself. Different human actors and non-human actants drive this change, generating new forms of translation and diverse professional profiles. Audiovisual Translation (AVT) and Audiovisual Translation Studies (AVTS) have always been at the centre of these developments: AVT has been technology and industry-driven from the start and AVTS has incorporated technological and societal change as well as the forces that propel it from its inception. Meanwhile, AVT has incorporated media accessibility and has moved beyond the domain of audiovisual media in the strict sense into the provision of access to live cultural events. The present article offers some conceptual tools for understanding these developments as well as the actant-driven processes that underlie them. It traces recent developments in AVT and explains how they have given rise to the aforementioned new professional practices and profiles. It ends on an extensive case study, centring on the ACT European Erasmus+ project, which has identified and defined the emerging profile of the accessibility manager, and developed a tailor-made MOOC training course for it. Aline Remael, Pilar Orero, Sharon Black, Anna Jankowska Translation studies. Accessibility. Audio description. Audiovisual translation. Estudios de traducción. Accesibilidad. Audiodescripción. Traducción audiovisual Adobe PDF Library 15.0 False Translation studies. Accessibility. Audio description. Audiovisual translation. Estudios de traducción. Accesibilidad. Audiodescripción. 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