2e5eef07af08a135a4aa8e2eb9769ec1  brac_a2024v12n2p1.pdf
820d16fd6d59797b424c3bc3bbbe7e55b144c119  brac_a2024v12n2p1.pdf
fc865f976f281c54adface3eb9451af32d324f683aa7e4204cebabbdf92fbb28  brac_a2024v12n2p1.pdf

Title:            El Centre d'Art Santa Mònica (CASM): Análisis de un Intento de “Kunsthalle” en el Contexto Institucional del Arte de Barcelona 
Subject:         El objetivo de este artículo es contribuir a la historiografía del contexto artístico de Barcelona de las últimas décadas. Para ello toma como caso de estudio el periodo de formación del Centre d'Art Santa Mònica (CASM). El CASM se estableció como centro de arte en Barcelona entre 2003 y 2007 siguiendo el modelo "Kunsthalle". El autor busca establecer la adecuación del centro en un mapa institucional dedicado al arte contemporáneo que estaba en construcción y desarrollo. El artículo también establece un paralelismo entre el CASM y los modelos de trabajo en la producción artística en el contexto internacional antes de la crisis de 2008. Además, busca situar históricamente el modelo instituido por el CASM en el origen del debate sobre la necesidad de un centro de arte en Barcelona. La investigación se basa en fuentes y documentos originales, reconstruyendo la historia del CASM en relación con otras instituciones paralelas en Barcelona y concluye con un análisis de los efectos y consecuencias de la interferencia política en el contexto institucional del arte de la ciudad
Keywords:        Barcelona; Kunsthalle; producción artística; proyectos
Author:          David G. Torres
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