83fa1c3172156d2c12d99f86c9486725 catalonia-5868.pdf c85c8a184bdc29339895ace14a246e482eb14e18 catalonia-5868.pdf 0231986afb07dc5df8ccb12bf4c584c133d2581c2ed4f65e1c5fb33df421476c catalonia-5868.pdf Title: Catalonia, 33 | Deuxième semestre 2023 Subject: Partant du constat que Marcel Proust définit l’écriture comme traduction dans le dernier volume de son cycle romanesque, Le temps retrouvé, et place ainsi métaphoriquement la tâche de traduction au centre de son art poétique, cet article suggère que, selon cette perspective, toute traduction de son œuvre peut être conçue comme une re-traduction, c’est-à-dire la traduction d’une traduction. C’est une re-traduction qui doit respecter les mêmes critères énoncés dans la théorie implicite de la traduction de Marcel Proust. Si pour Proust écrire est traduire l’expérience, comprise comme un flux d’impressions de toutes sortes, il faut aborder la traduction d’À la recherche du temps perdu en accordant une attention particulière à cet aspect. Parmi les différentes sensations, les auditives jouent un rôle fondamental en raison de leur qualité spécialement durable. Nous analyserons certains des passages les plus représentatifs de notre propre traduction catalane A la recerca del temps perdut, éditée chez Proa.Partint del fet Marcel Proust defineix l’escriptura com a traducció en el volum conclusiu del seu cicle novel·lístic, Le temps retrouvé, i situa així la tasca traductiva de manera metafòrica al centre de la seva poètica, aquest paper planteja que, segons aquesta perspectiva, qualsevol traducció de la seva obra es pot concebre com una re-traducció, és a dir, la traducció d’una traducció. Es tracta d’una re-traducció que ha de respectar els mateixos criteris esbossats en la teoria traductològica implícita de Marcel Proust. Si per a Proust escriure és traduir l’experiència, entesa com un flux d’impressions de tota mena, cal abordar la traducció d’À la recherche du temps perdu parant una atenció especial a aquest aspecte. Entre les diverses sensacions, les auditives juguen un paper fonamental per la seva qualitat indestructible. Analitzarem en la traducció catalana d’autoria pròpia, A la recerca del temps perdut, editada per Proa, alguns dels passatges més representatius.Marcel Proust defines writing as translation in the concluding volume of his novelistic cycle, Le temps retrouvé, and thus he places the translation task metaphorically at the centre of his ars poetica. According to this perspective, any translation of his work can be conceived as a re-translation, the translation of a translation. It is a retranslation that must respect the same criteria outlined in Marcel Proust’s implicit translation theory. If writing, according to Proust, is translating experience, understood as a flow of impressions of all kinds, it is necessary to approach the translation of À la recherche du temps perdu paying special attention to this sensorial aspect. Among the different sensations, the acoustic ones play a fundamental role due to their unwavering quality. This paper analyses some of the most representative passages in the Catalan translation authored by myself and published by Proa. Keywords: Proust Marcel,Proust Marcel,Proust Marcel,Recherche,Recherche,Recherche,traduction catalane,traducció catalana,Catalan translation,sonoritat i traducció,sound and translation,sonorité et traduction,traductologia,traductology,traductologie,sensations auditives,auditory sensations,sensacions auditives,re-translation,re-traducció,re-traduction Author: Valèria Gaillard Francesch Creator: OpenEdition Producer: OpenEdition PDF Server v2 CreationDate: Thu Jan 18 22:20:20 2024 CET ModDate: Thu Jan 18 22:20:20 2024 CET Custom Metadata: no Metadata Stream: yes Tagged: no UserProperties: no Suspects: no Form: none JavaScript: no Pages: 13 Encrypted: no Page size: 595.276 x 841.89 pts (A4) Page rot: 0 File size: 255637 bytes Optimized: no PDF version: 1.7 name type encoding emb sub uni object ID ------------------------------------ ----------------- ---------------- --- --- --- --------- ZKPFWN+Gentium-Book-Basic-Italic CID TrueType Identity-H yes yes yes 11 0 UFIPWN+Roboto CID TrueType Identity-H yes yes yes 16 0 MFMSDQ+Roboto-Light-Italic CID TrueType Identity-H yes yes yes 21 0 MDURMA+Roboto-Medium CID TrueType Identity-H yes yes yes 26 0 UONHNN+Roboto-Light CID TrueType Identity-H yes yes yes 31 0 CQTXKR+Roboto-Bold CID TrueType Identity-H yes yes yes 36 0 AGQIAE+Gentium-Book-Basic CID TrueType Identity-H yes yes yes 41 0 MNTAKX+Gentium-Book-Basic-Italic CID TrueType Identity-H yes yes yes 59 0 QPJYTS+Gentium-Book-Basic CID TrueType Identity-H yes yes no 66 0 EIKMDC+Roboto-Medium CID TrueType Identity-H yes yes yes 72 0 KXSWWQ+Roboto-Medium-Italic CID TrueType Identity-H yes yes yes 87 0 SFZAYT+Gentium-Book-Basic-Bold CID TrueType Identity-H yes yes yes 94 0 KBRVLE+Roboto-Light CID TrueType Identity-H yes yes yes 175 0 XPLGHH+Roboto-Bold CID TrueType Identity-H yes yes yes 277 0 Jhove (Rel. 1.28.0, 2023-05-18) Date: 2025-01-21 02:39:51 CET RepresentationInformation: catalonia-5868.pdf ReportingModule: PDF-hul, Rel. 1.12.4 (2023-03-16) LastModified: 2025-01-17 01:35:17 CET Size: 255637 Format: PDF Version: 1.7 Status: Well-Formed and valid SignatureMatches: PDF-hul MIMEtype: application/pdf PDFMetadata: Objects: 294 FreeObjects: 15 IncrementalUpdates: 1 DocumentCatalog: PageLayout: SinglePage PageMode: UseNone Outlines: Item: Title: La re-traducció catalana de les sensacions auditives en l’obra de Marcel Proust Destination: 1 Children: Item: Title: La Recherche vista com una traducció de les sensacions passades Destination: 1 Item: Title: L’especificitat de les impressions auditives Destination: 1 Item: Title: Una sonoritat que es manifesta a tres nivells Destination: 1 Item: Title: Al·literacions i dissonàncies en el text Destination: 1 Item: Title: La prosòdia que marca el batec de la lectura Destination: 1 Info: Title: Catalonia, 33 | Deuxième semestre 2023 Author: Valèria Gaillard Francesch Subject: Partant du constat que Marcel Proust définit l’écriture comme traduction dans le dernier volume de son cycle romanesque, Le temps retrouvé, et place ainsi métaphoriquement la tâche de traduction au centre de son art poétique, cet article suggère que, selon cette perspective, toute traduction de son œuvre peut être conçue comme une re-traduction, c’est-à-dire la traduction d’une traduction. C’est une re-traduction qui doit respecter les mêmes critères énoncés dans la théorie implicite de la traduction de Marcel Proust. Si pour Proust écrire est traduire l’expérience, comprise comme un flux d’impressions de toutes sortes, il faut aborder la traduction d’À la recherche du temps perdu en accordant une attention particulière à cet aspect. Parmi les différentes sensations, les auditives jouent un rôle fondamental en raison de leur qualité spécialement durable. Nous analyserons certains des passages les plus représentatifs de notre propre traduction catalane A la recerca del temps perdut, éditée chez Proa.Partint del fet Marcel Proust defineix l’escriptura com a traducció en el volum conclusiu del seu cicle novel·lístic, Le temps retrouvé, i situa així la tasca traductiva de manera metafòrica al centre de la seva poètica, aquest paper planteja que, segons aquesta perspectiva, qualsevol traducció de la seva obra es pot concebre com una re-traducció, és a dir, la traducció d’una traducció. Es tracta d’una re-traducció que ha de respectar els mateixos criteris esbossats en la teoria traductològica implícita de Marcel Proust. Si per a Proust escriure és traduir l’experiència, entesa com un flux d’impressions de tota mena, cal abordar la traducció d’À la recherche du temps perdu parant una atenció especial a aquest aspecte. Entre les diverses sensacions, les auditives juguen un paper fonamental per la seva qualitat indestructible. Analitzarem en la traducció catalana d’autoria pròpia, A la recerca del temps perdut, editada per Proa, alguns dels passatges més representatius.Marcel Proust defines writing as translation in the concluding volume of his novelistic cycle, Le temps retrouvé, and thus he places the translation task metaphorically at the centre of his ars poetica. According to this perspective, any translation of his work can be conceived as a re-translation, the translation of a translation. It is a retranslation that must respect the same criteria outlined in Marcel Proust’s implicit translation theory. If writing, according to Proust, is translating experience, understood as a flow of impressions of all kinds, it is necessary to approach the translation of À la recherche du temps perdu paying special attention to this sensorial aspect. Among the different sensations, the acoustic ones play a fundamental role due to their unwavering quality. This paper analyses some of the most representative passages in the Catalan translation authored by myself and published by Proa. Keywords: Proust Marcel,Proust Marcel,Proust Marcel,Recherche,Recherche,Recherche,traduction catalane,traducció catalana,Catalan translation,sonoritat i traducció,sound and translation,sonorité et traduction,traductologia,traductology,traductologie,sensations auditives,auditory sensations,sensacions auditives,re-translation,re-traducció,re-traduction Creator: OpenEdition Producer: OpenEdition PDF Server v2 CreationDate: Thu Jan 18 22:20:20 CET 2024 ModDate: Thu Jan 18 22:20:20 CET 2024 ID: 0x6b5884b85dfa524591a8c0632c011a04, 0x540e39a6583ea9c997f9c5f00eefda79 Filters: FilterPipeline: FlateDecode FilterPipeline: DCTDecode Images: Image: NisoImageMetadata: FormatName: image/png ImageWidth: 88 ImageHeight: 31 ColorSpace: RGB BitsPerSample: 8 BitsPerSampleUnit: integer Filter: FlateDecode Interpolate: true Image: NisoImageMetadata: FormatName: image/png ImageWidth: 591 ImageHeight: 153 ColorSpace: RGB BitsPerSample: 8 BitsPerSampleUnit: integer Filter: FlateDecode Interpolate: true Image: 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