Most readily apparent is the marked decrease in quantitative responsion, which, along with polysyndeton, might be construed as Catonian verbal art. As for line types, a comparison of (16) and (17) is given in (17a). In seventeen lines, over half of the prayer, the restoration results in no net change; in lines 15 and 16, one dipode loses a syllable while elsewhere in the line another dipode gains one. In lines 14 and 17, the restoration results in one less syllable.