a9815206431775b3463c06da5ca8f497  PonsMonteroEva_TFM.pdf
50950f59211f92c8e056abe46451a36884156d39  PonsMonteroEva_TFM.pdf
210df50f3d7361ab9ffc1af81ecf6d1867eb35b3daec165362a25e0355098924  PonsMonteroEva_TFM.pdf

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Jhove (Rel. 1.28.0, 2023-05-18)
 Date: 2026-10-28 03:46:00 CET
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    Outlines: 
     Item: 
      Title: 1. INTRODUCCIÓN
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       Item: 
        Title: 1.1. Motivación
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       Item: 
        Title: 1.2. Objetivos
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       Item: 
        Title: 1.3. Estructura
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     Item: 
      Title: 2. MARCO TEÓRICO
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      Children: 
       Item: 
        Title: 2.1. La traducción audiovisual
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       Item: 
        Title: 2.2. La modalidad de voces superpuestas
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       Item: 
        Title: 2.3. Historia y uso
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       Item: 
        Title: 2.4. Objetivo y características
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        Children: 
         Item: 
          Title: 2.4.1. Aspectos prácticos
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         Item: 
          Title: 2.4.2. Características lingüísticas
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         Item: 
          Title: 2.4.3. Producción y coste
          Destination: 1
       Item: 
        Title: 2.5. Clasificación
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        Children: 
         Item: 
          Title: 2.5.1. Según la fase del proceso
          Destination: 1
         Item: 
          Title: 2.5.2. Según el grado de intervención sobre el texto
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         Item: 
          Title: 2.5.3. Según el número de voces
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       Item: 
        Title: 2.6. Complejidades de los encargos y el proceso de traducción
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       Item: 
        Title: 2.7. La telerrealidad
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        Children: 
         Item: 
          Title: 2.7.1. Definición, origen y desarrollo del género
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         Item: 
          Title: 2.7.2. Tipología de programas
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         Item: 
          Title: 2.7.3. Características e implicaciones para la traducción
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       Item: 
        Title: 2.8. La traducción de entrevistas
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        Children: 
         Item: 
          Title: 2.8.1. Nuevo enfoque
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      Title: 3. MARCO METODOLÓGICO
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      Children: 
       Item: 
        Title: 3.1. Encargos de traducción
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        Children: 
         Item: 
          Title: 3.1.1. Love Is Blind
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         Item: 
          Title: 3.1.2. Pubity
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        Title: 3.2. Los materiales de trabajo y sus implicaciones para la traducción
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        Children: 
         Item: 
          Title: 3.2.1. Love Is Blind
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         Item: 
          Title: 3.2.2. Pubity Group
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     Item: 
      Title: 4. ANÁLISIS DE LA TRADUCCIÓN DE “LOVE IS BLIND”
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      Children: 
       Item: 
        Title: 4.1. Problemas derivados de la falta de contexto
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       Item: 
        Title: 4.2. Problemas derivados de la ausencia de imagen
        Destination: 1
       Item: 
        Title: 4.3. Problemas terminológicos
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       Item: 
        Title: 4.4. Problemas de precisión léxica y adecuación estilística
        Destination: 1
       Item: 
        Title: 4.5. Problemas derivados del proceso de producción
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       Item: 
        Title: 4.6. Problemas derivados del desconocimiento inicial de las convenciones de voces superpuestas
        Destination: 1
     Item: 
      Title: 5. ANÁLISIS DE LA PROPUESTA PARA “PUBITY”
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      Children: 
       Item: 
        Title: 5.1. Vídeo 1: Bartenders Try Each Other's Drinks
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        Children: 
         Item: 
          Title: 5.1.1. Retos terminológicos
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         Item: 
          Title: 5.1.2. Enunciados fragmentados
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         Item: 
          Title: 5.1.3. Resolución de referencias culturales y recepción auditiva
          Destination: 1
       Item: 
        Title: 5.2. Vídeo 2: US vs UK Trying Each Other's Grilled Cheese
        Destination: 1
        Children: 
         Item: 
          Title: 5.2.1. Retos terminológicos
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         Item: 
          Title: 5.2.2. Humor y juegos de palabras
          Destination: 1
         Item: 
          Title: 5.2.3. Errores en el material de trabajo
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       Item: 
        Title: 5.3. Vídeo 3: Girls Try Each Other’s Girl Dinners (again)
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        Children: 
         Item: 
          Title: 5.3.1. Retos terminológicos
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          Title: 5.3.2. Expresiones coloquiales y referencias culturales
          Destination: 1
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          Title: 5.3.3. Enunciados fragmentados
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         Item: 
          Title: 5.3.4. Priorización de intervenciones y elementos de producción
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       Item: 
        Title: 5.4. Vídeo 4: Disney Princess Guesses The Worlds Fave Princess
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        Children: 
         Item: 
          Title: 5.4.1. Retos terminológicos
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         Item: 
          Title: 5.4.2. Registro y construcción del personaje
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         Item: 
          Title: 5.4.3. Sincronía cinética
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          Title: 5.4.4. Juegos de palabras
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        Title: 5.5. Retos compartidos entre todos los vídeos
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     Item: 
      Title: 6. CONCLUSIONES
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     Item: 
      Title: 7. BIBLIOGRAFIA
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     Item: 
      Title: 8. ANEXOS
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        Title: 8.1. Acceso a los vídeos para el encargo de Pubity
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        Title: 8.2. Propuesta de traducción para Pubity: Bartenders Try Each Other’s Drinks
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          Title: 8.2.1. Pautas de pronunciación
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          Title: 8.2.2. Glosario
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        Title: 8.3. Propuesta de traducción para Pubity: US vs UK Trying Each Other’s Grilled Cheese
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          Title: 8.3.1. Pautas de pronunciación
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          Title: 8.4.1. Pautas de pronunciación
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