1 00:00:00,400 --> 00:00:02,680 This is an ADLAB PRO video. 2 00:00:02,760 --> 00:00:06,080 ADLAB PRO is a project funded by the European Union. 3 00:00:06,160 --> 00:00:08,200 This video is made available to you 4 00:00:08,280 --> 00:00:09,960 on a Creative Commons licence. 5 00:00:10,560 --> 00:00:14,920 Hello. I’m Iwona Mazur from Adam Mickiewicz University 6 00:00:15,000 --> 00:00:18,960 in Poznan, Poland. In this ADLAB PRO video 7 00:00:19,040 --> 00:00:22,360 I will talk about film characters in AD. 8 00:00:23,160 --> 00:00:27,120 This is Unit 4 "Screen AD: characters" 9 00:00:27,200 --> 00:00:30,160 in Module 2 "Screen AD". 10 00:00:31,320 --> 00:00:35,360 Characters are an essential part of any film narrative 11 00:00:35,800 --> 00:00:37,880 as they drive the story forward. 12 00:00:39,000 --> 00:00:41,680 They can be divided into focal, 13 00:00:41,760 --> 00:00:44,840 supporting and background characters. 14 00:00:45,200 --> 00:00:47,720 It is usually the focal characters 15 00:00:47,800 --> 00:00:50,440 that should be get the most attention in AD. 16 00:00:51,960 --> 00:00:53,880 Determine through what means 17 00:00:53,960 --> 00:00:56,880 character traits manifest themselves most. 18 00:00:57,720 --> 00:01:00,040 It can be their physical appearance, 19 00:01:00,400 --> 00:01:02,520 their actions or reactions 20 00:01:02,600 --> 00:01:05,240 or what they say and how they say it. 21 00:01:06,480 --> 00:01:09,360 This should give you an indication 22 00:01:09,440 --> 00:01:12,640 as to what to prioritise in your AD. 23 00:01:13,520 --> 00:01:17,040 For instance, a character's meticulousness 24 00:01:17,120 --> 00:01:19,960 can be depicted throguh his actions, 25 00:01:20,040 --> 00:01:24,840 such as the way he neatly arranges writing materials on the table. 26 00:01:26,560 --> 00:01:29,640 When describing the appearance of a character 27 00:01:29,720 --> 00:01:32,120 it is best to avoid appraisal. 28 00:01:32,440 --> 00:01:36,760 So instead of saying that a woman is ‘beautiful’, 29 00:01:36,840 --> 00:01:40,640 it is better to mention what actually makes her appear so. 30 00:01:41,520 --> 00:01:44,360 Start with the most prominent feature, 31 00:01:44,440 --> 00:01:49,240 such as “blonde hair” and add more characteristics later. 32 00:01:49,360 --> 00:01:51,760 You don't want to overwhelm the audience 33 00:01:51,840 --> 00:01:54,160 with too many details at once. 34 00:01:56,360 --> 00:02:00,080 Sighted viewers look at people in a holistic manner, 35 00:02:00,160 --> 00:02:03,600 whereas persons with sight loss will have to conjure up 36 00:02:03,680 --> 00:02:06,800 the image of a character in a linear fashion. 37 00:02:08,000 --> 00:02:12,520 So instead of saying “She is wearing a white skirt, 38 00:02:12,600 --> 00:02:16,040 floral top, wedges and a visor", 39 00:02:16,400 --> 00:02:20,280 it is better to offer a top-down description such as 40 00:02:20,360 --> 00:02:23,800 “She is wearing a visor, floral top 41 00:02:23,880 --> 00:02:26,280 white skirt and wedges”. 42 00:02:28,360 --> 00:02:31,840 Characters can express emotions and attitudes 43 00:02:31,920 --> 00:02:34,640 through gestures and facial expressions. 44 00:02:36,480 --> 00:02:40,520 In your AD, you can simply name the gesture: 45 00:02:40,600 --> 00:02:42,760 “She makes an ‘OK’ gesture”. 46 00:02:43,840 --> 00:02:48,040 You can also describe it: “She raises her thumb”. 47 00:02:48,640 --> 00:02:51,800 And you can both describe and name it: 48 00:02:51,880 --> 00:02:55,520 “She raises her thumb in an ‘OK’ gesture”. 49 00:02:57,360 --> 00:03:02,160 When introducing new characters you basically have two options. 50 00:03:03,560 --> 00:03:05,760 You can either name the character 51 00:03:05,840 --> 00:03:08,240 the first time they appear on the screen 52 00:03:08,320 --> 00:03:11,760 and possibly add a brief description, for example: 53 00:03:12,360 --> 00:03:15,480 “An older man with a beard, John.” 54 00:03:16,920 --> 00:03:21,080 Or you can wait for the name to appear in the film itself 55 00:03:21,440 --> 00:03:26,200 and until that time use a brief, generic description, such as 56 00:03:26,600 --> 00:03:30,120 “The man with a beard” or “Bearded man”. 57 00:03:31,880 --> 00:03:36,120 The latter solution is usually more time consuming 58 00:03:36,200 --> 00:03:39,160 but is recommend if the character's identity 59 00:03:39,240 --> 00:03:41,280 needs to be kept secret. 60 00:03:42,120 --> 00:03:46,240 If you want to find out more about audio describing characters, 61 00:03:46,320 --> 00:03:49,920 I recommend that you read the ADLAB guidelines. 62 00:03:50,960 --> 00:03:53,480 I hope you have learned some interesting things 63 00:03:53,560 --> 00:03:56,960 about characters and their AD from this video. 64 00:03:59,360 --> 00:04:01,480 The preparation of this presentation 65 00:04:01,560 --> 00:04:05,160 was supported by ADLAB PRO. Audio Description: 66 00:04:05,240 --> 00:04:08,880 A Laboratory for the Development of a New Professional Profile 67 00:04:09,000 --> 00:04:13,280 financed by the European Union under the Erasmus+ Programme, 68 00:04:13,360 --> 00:04:16,640 Key Action 2, Strategic Partnerships. 69 00:04:16,720 --> 00:04:17,920 Project number: 70 00:04:18,000 --> 00:04:26,360 2016-1-IT02-KA203-024311. 71 00:04:26,920 --> 00:04:30,240 The information and views set out in this presentation 72 00:04:30,320 --> 00:04:33,360 are those of the authors and do not necessarily reflect 73 00:04:33,440 --> 00:04:36,520 the official opinion of the European Union. 74 00:04:36,600 --> 00:04:39,960 Neither the European Union institutions and bodies 75 00:04:40,040 --> 00:04:42,560 nor any person acting on their behalf 76 00:04:42,640 --> 00:04:44,480 may be held responsible for the use 77 00:04:44,560 --> 00:04:47,360 which may be made of the information contained therein. 78 00:04:47,520 --> 00:04:49,520 This was an ADLAB PRO video. 79 00:04:49,600 --> 00:04:53,240 ADLAB PRO partners are: University of Trieste, 80 00:04:53,320 --> 00:04:56,320 Universitat Autònoma de Barcelona, 81 00:04:56,400 --> 00:05:00,400 University of Antwerp, Adam Mickiewicz University, 82 00:05:00,480 --> 00:05:03,480 RTV Slovenia, Utopian Voices, 83 00:05:03,560 --> 00:05:07,760 Soundfocus and Royal National Institute of Blind People. 84 00:05:07,840 --> 00:05:10,800 ADLAB PRO was funded by the European Union. 85 00:05:10,880 --> 00:05:12,560 This video was made available to you 86 00:05:12,640 --> 00:05:14,480 on a Creative Commons licence.