1 00:00:00,400 --> 00:00:02,680 This is an ADLAB PRO video. 2 00:00:02,760 --> 00:00:06,080 ADLAB PRO is a project funded by the European Union. 3 00:00:06,160 --> 00:00:08,200 This video is made available to you 4 00:00:08,280 --> 00:00:09,960 on a Creative Commons licence. 5 00:00:10,440 --> 00:00:15,240 Hello. I’m Iwona Mazur from Adam Mickiewicz University 6 00:00:15,320 --> 00:00:18,920 in Poznan, Poland. In this ADLAB PRO video 7 00:00:19,000 --> 00:00:22,560 I will talk about audio introductions. 8 00:00:22,640 --> 00:00:26,840 This is Unit 9 "Screen AD: audio introductions" 9 00:00:26,920 --> 00:00:29,680 in Module 2 "Screen AD". 10 00:00:31,120 --> 00:00:34,840 An audio introduction, or an AI for short, 11 00:00:35,400 --> 00:00:37,800 is a piece of running text that includes 12 00:00:37,880 --> 00:00:42,280 factual and visual information about an audiovisual product. 13 00:00:43,160 --> 00:00:47,760 In this video we will focus on AIs for films. 14 00:00:49,200 --> 00:00:53,560 An audio introduction may be used in combination with an AD 15 00:00:53,960 --> 00:00:56,680 or as a stand-alone piece of text. 16 00:00:58,440 --> 00:01:02,200 If an AI is to be used in combination with an AD, 17 00:01:02,520 --> 00:01:05,880 it has be consistent with it, for example 18 00:01:06,120 --> 00:01:09,280 in terms of naming characters or places. 19 00:01:10,880 --> 00:01:14,440 There are several functions that an AI serves. 20 00:01:14,960 --> 00:01:18,160 The functions will largely determine the elements 21 00:01:18,240 --> 00:01:21,440 that should be included in an audio introduction. 22 00:01:23,080 --> 00:01:26,520 First, there is the informative function. 23 00:01:27,120 --> 00:01:31,640 The information provided in an AI may include the director, 24 00:01:31,920 --> 00:01:35,000 awards and critical acclaim, genre, 25 00:01:35,360 --> 00:01:38,960 synopsis, running time of the film, etc. 26 00:01:40,440 --> 00:01:43,920 Next, there is the foreshadowing function, 27 00:01:44,160 --> 00:01:48,680 which entails, for example, providing more detailed information 28 00:01:48,760 --> 00:01:51,200 about characters and locations 29 00:01:51,560 --> 00:01:55,440 or explaining the relevant intertextual references. 30 00:01:57,040 --> 00:02:00,680 Then there is the expressive-aesthetic function. 31 00:02:01,120 --> 00:02:05,840 Here details about the visual style of the film are provided, 32 00:02:06,080 --> 00:02:10,400 such as film color or unusual editing techniques. 33 00:02:12,040 --> 00:02:15,240 This function is highly important especially 34 00:02:15,320 --> 00:02:17,440 for visually thrilling films, 35 00:02:18,000 --> 00:02:20,480 as ADs do not allow 36 00:02:20,560 --> 00:02:23,360 for elaborate descriptions of camera work. 37 00:02:25,880 --> 00:02:29,240 Finally, there is the instructive function. 38 00:02:29,640 --> 00:02:34,320 It informs the users of any technical and practical issues, 39 00:02:34,920 --> 00:02:39,360 such as how characters or locations will be named in the AD. 40 00:02:41,320 --> 00:02:44,120 In the case of a cinema screening, 41 00:02:44,600 --> 00:02:47,240 it can also give such practical details 42 00:02:47,320 --> 00:02:51,760 as increasing volume on the headset in scenes with loud music. 43 00:02:53,720 --> 00:02:58,680 When drafting the AI start with the more factual information 44 00:02:58,760 --> 00:03:02,240 and then move on to the more descriptive details. 45 00:03:03,720 --> 00:03:07,640 Remember that AIs are dense with information 46 00:03:08,120 --> 00:03:11,680 and as such can be difficult to process by the audience. 47 00:03:12,320 --> 00:03:14,880 Try to use simple sentences, 48 00:03:15,200 --> 00:03:18,760 clear conjunctions and specific vocabulary. 49 00:03:19,280 --> 00:03:22,680 Make sure the AI is vivid and engaging. 50 00:03:24,440 --> 00:03:28,800 Finalize your AI after the AD is finalized. 51 00:03:29,320 --> 00:03:32,280 Otherwise you risk repeating 52 00:03:32,360 --> 00:03:36,200 or omitting some information or being inconsistent. 53 00:03:37,360 --> 00:03:42,240 If the AI is to be recorded, rather than read out live in the cinema, 54 00:03:42,720 --> 00:03:46,480 record it yourself or have a voice talent do it. 55 00:03:47,160 --> 00:03:50,640 It is best done in a professional recording studio. 56 00:03:52,280 --> 00:03:55,080 To prepare this video I used the chapter 57 00:03:55,160 --> 00:03:58,080 on audio introductions in the ADLAB guidelines. 58 00:03:58,440 --> 00:04:00,840 Read it, if you want to find out more. 59 00:04:02,320 --> 00:04:07,120 I also recommend that you read Fryer’s and Romero Fresco’s article 60 00:04:07,200 --> 00:04:11,880 on AIs as well as have a look at other materials in this unit, 61 00:04:12,160 --> 00:04:16,520 which include an actual example of an audio introduction. 62 00:04:17,480 --> 00:04:21,000 This was a wide overview of what audio introductions are. 63 00:04:21,360 --> 00:04:24,160 I hope you have learned a bit more about this topic. 64 00:04:25,560 --> 00:04:27,760 The preparation of this presentation 65 00:04:27,840 --> 00:04:31,440 was supported by ADLAB PRO. Audio Description: 66 00:04:31,520 --> 00:04:35,160 A Laboratory for the Development of a New Professional Profile 67 00:04:35,280 --> 00:04:39,560 financed by the European Union under the Erasmus+ Programme, 68 00:04:39,640 --> 00:04:42,800 Key Action 2, Strategic Partnerships. 69 00:04:42,920 --> 00:04:43,880 Project number: 70 00:04:44,160 --> 00:04:52,640 2016-1-IT02-KA203-024311. 71 00:04:53,200 --> 00:04:56,520 The information and views set out in this presentation 72 00:04:56,600 --> 00:04:59,640 are those of the authors and do not necessarily reflect 73 00:04:59,720 --> 00:05:02,800 the official opinion of the European Union. 74 00:05:02,880 --> 00:05:06,240 Neither the European Union institutions and bodies 75 00:05:06,320 --> 00:05:08,840 nor any person acting on their behalf 76 00:05:08,920 --> 00:05:10,760 may be held responsible for the use 77 00:05:10,840 --> 00:05:13,640 which may be made of the information contained therein. 78 00:05:13,800 --> 00:05:15,800 This was an ADLAB PRO video. 79 00:05:15,880 --> 00:05:19,520 ADLAB PRO partners are: University of Trieste, 80 00:05:19,600 --> 00:05:22,600 Universitat Autònoma de Barcelona, 81 00:05:22,680 --> 00:05:26,680 University of Antwerp, Adam Mickiewicz University, 82 00:05:26,760 --> 00:05:29,760 RTV Slovenia, Utopian Voices, 83 00:05:29,840 --> 00:05:34,040 Soundfocus and Royal National Institute of Blind People. 84 00:05:34,120 --> 00:05:37,080 ADLAB PRO was funded by the European Union. 85 00:05:37,160 --> 00:05:38,840 This video was made available to you 86 00:05:38,920 --> 00:05:40,760 on a Creative Commons licence.