1 00:00:00,400 --> 00:00:02,680 This is an ADLAB PRO video. 2 00:00:02,760 --> 00:00:06,080 ADLAB PRO is a project funded by the European Union. 3 00:00:06,160 --> 00:00:10,000 This video is made available to you on a Creative Commons licence. 4 00:00:10,160 --> 00:00:14,480 Hello. I’m Pilar Orero, from Universitat Autònoma de Barcelona, 5 00:00:14,560 --> 00:00:19,360 and in this ADLAB PRO video I'll talk about technology consumption. 6 00:00:19,520 --> 00:00:22,800 This is Unit 1 in Module 6. 7 00:00:23,120 --> 00:00:26,320 Technology for delivering and for consuming AD 8 00:00:26,400 --> 00:00:30,080 is going through a radical change. There are many models, 9 00:00:30,160 --> 00:00:34,280 and they depend on the production and the technology development. 10 00:00:34,440 --> 00:00:37,560 So there are many different ways to enjoy an AD 11 00:00:37,640 --> 00:00:40,560 depending on the workflow. In terms of production, 12 00:00:40,640 --> 00:00:44,320 the script can be written manually, automatically or collaboratively. 13 00:00:44,400 --> 00:00:47,240 The voicing can be human or text-to-speech. 14 00:00:47,320 --> 00:00:50,560 And it can be produced live, semi-live or recorded. 15 00:00:51,000 --> 00:00:55,360 In terms of distribution, it can be text-based or sound-based, 16 00:00:55,760 --> 00:01:00,600 and the AD may be distributed as sound objects or mixed. 17 00:01:01,360 --> 00:01:05,240 All these AD workflows impact on the reception, 18 00:01:05,320 --> 00:01:09,480 where the technology available and the event type are crucial. 19 00:01:09,800 --> 00:01:13,240 One of these new services, for example, is Clean Audio, 20 00:01:13,320 --> 00:01:16,240 when a system cleans some of the background noises 21 00:01:16,320 --> 00:01:19,960 to highlight the speech. Another possibility is when an AD 22 00:01:20,040 --> 00:01:22,680 is drafted using Easy to Read directives, 23 00:01:22,760 --> 00:01:25,960 and the result is an easy-to-understand text. 24 00:01:26,160 --> 00:01:30,160 Another possibility is to alter the reproduction speed of the video, 25 00:01:30,280 --> 00:01:35,080 offering you a slow or a fast pace of consumption. 26 00:01:35,160 --> 00:01:37,880 There is also the possibility of choosing the type of voices 27 00:01:37,960 --> 00:01:42,080 delivered by text-to-speech. All these technologies can provide 28 00:01:42,160 --> 00:01:46,320 alternatives to the main AD. And the biggest improvement will be 29 00:01:46,400 --> 00:01:49,640 that you are able to personalise the sound mix, 30 00:01:49,720 --> 00:01:52,600 or the added technology you may wish to use. 31 00:01:52,840 --> 00:01:56,120 Through this personalization and the new technologies, 32 00:01:56,200 --> 00:01:59,680 users may go beyond consuming AD, 33 00:01:59,760 --> 00:02:02,080 and become audio describers themselves. 34 00:02:02,160 --> 00:02:06,280 There are some platforms which allow you to add AD to some videos, 35 00:02:06,440 --> 00:02:11,240 and this new scenario will account for more emotional or engaging AD 36 00:02:11,320 --> 00:02:13,640 and also allow for social connectivity. 37 00:02:13,800 --> 00:02:16,360 The recent convergence of internet with broadcast 38 00:02:16,440 --> 00:02:20,680 has meant a break of functional barriers allowing for any content 39 00:02:20,760 --> 00:02:24,440 to be delivered seamlessly through any device, that is, 40 00:02:24,520 --> 00:02:29,320 through tablet, smartphone, smart glasses, PC or TV. 41 00:02:29,800 --> 00:02:32,560 This concept is transmitted by the acronym 42 00:02:32,640 --> 00:02:36,080 ATAWAD: 43 00:02:36,240 --> 00:02:39,640 Anytime, Anywhere and on Any Device. 44 00:02:39,720 --> 00:02:43,600 There is another concept which is also in use nowadays: 45 00:02:43,680 --> 00:02:47,680 BYOD, Bring Your Own Device. 46 00:02:47,880 --> 00:02:50,920 A good example of a new scenario is AIRA. 47 00:02:51,000 --> 00:02:53,600 AIRA is produced through a hybrid model 48 00:02:53,680 --> 00:02:55,840 of automatic and human production, 49 00:02:55,920 --> 00:02:59,680 and the AD can be delivered over the Internet to smart glasses 50 00:02:59,760 --> 00:03:01,560 that a person is wearing. 51 00:03:01,760 --> 00:03:04,520 This allows for many new applications in the house, 52 00:03:04,600 --> 00:03:07,400 mostly when the end user is consulting the Internet 53 00:03:07,480 --> 00:03:10,720 and the Internet is not accessible. Or it can also help you 54 00:03:10,800 --> 00:03:14,280 in daily chores like putting the washing machine on, 55 00:03:14,360 --> 00:03:16,520 or reading a message in the fridge. 56 00:03:16,640 --> 00:03:19,800 The same applications can be of great use at school and at work, 57 00:03:19,880 --> 00:03:23,320 in sports and cultural events, and helping with any situation 58 00:03:23,400 --> 00:03:28,200 where vision is required such as e-ticketing or official paperwork. 59 00:03:31,360 --> 00:03:33,520 The preparation of this presentation 60 00:03:33,600 --> 00:03:37,200 was supported by ADLAB PRO. Audio Description: 61 00:03:37,280 --> 00:03:40,920 A Laboratory for the Development of a New Professional Profile 62 00:03:41,040 --> 00:03:45,320 financed by the European Union under the Erasmus+ Programme, 63 00:03:45,400 --> 00:03:48,680 Key Action 2, Strategic Partnerships. 64 00:03:48,760 --> 00:03:49,960 Project number: 65 00:03:50,040 --> 00:03:58,400 2016-1-IT02-KA203-024311. 66 00:03:58,960 --> 00:04:02,280 The information and views set out in this presentation 67 00:04:02,360 --> 00:04:05,400 are those of the authors and do not necessarily reflect 68 00:04:05,480 --> 00:04:08,560 the official opinion of the European Union. 69 00:04:08,640 --> 00:04:12,000 Neither the European Union institutions and bodies 70 00:04:12,080 --> 00:04:14,600 nor any person acting on their behalf 71 00:04:14,680 --> 00:04:16,520 may be held responsible for the use 72 00:04:16,600 --> 00:04:19,240 which may be made of the information contained therein. 73 00:04:19,440 --> 00:04:21,440 This was an ADLAB PRO video. 74 00:04:21,520 --> 00:04:25,160 ADLAB PRO partners are: University of Trieste, 75 00:04:25,240 --> 00:04:28,240 Universitat Autònoma de Barcelona, 76 00:04:28,320 --> 00:04:32,320 University of Antwerp, Adam Mickiewicz University, 77 00:04:32,400 --> 00:04:35,400 RTV Slovenia, Utopian Voices, 78 00:04:35,480 --> 00:04:39,680 Soundfocus and Royal National Institute of Blind People. 79 00:04:39,760 --> 00:04:42,720 ADLAB PRO was funded by the European Union. 80 00:04:42,800 --> 00:04:46,560 This video was made available to you on a Creative Commons licence.