1 00:00:00,000 --> 00:00:00,000 as a wonderful way to capture new audiences. 2 00:00:22,140 --> 00:00:32,380 Hello. I'm a woman of 47 years old. My skin is white and my eyes are dark. I’m wearing brown-framed glasses, 3 00:00:32,380 --> 00:00:38,640 a red t-shirt and danglly red earrings. 4 00:00:48,780 --> 00:00:56,300 The aim of TRACTION is to bring the Opera -a manifestation of European cultural heritage- 5 00:00:56,300 --> 00:00:56,380 closer to people at risk of social exclusion, The aim of TRACTION is to bring the Opera -a manifestation of European cultural heritage- 6 00:00:56,380 --> 00:01:02,760 closer to people at risk of social exclusion, 7 00:01:02,760 --> 00:01:05,980 via technology. 8 00:01:05,980 --> 00:01:12,740 This means that we work to make a commitment 9 00:01:12,740 --> 00:01:16,780 to equal opportunities for access to culture a reality for everyone. 10 00:01:16,780 --> 00:01:21,900 TRACTION is a vehicle for social transformation. 11 00:01:21,900 --> 00:01:28,160 A transformation that takes place on and off stage. 12 00:01:28,160 --> 00:01:36,760 How? Acting as a bridge during the co-creative event between people, 13 00:01:36,760 --> 00:01:42,760 Individuals, social entities and professional sectors. 14 00:01:42,760 --> 00:01:52,440 We contribute to making opera a more open, dynamic and close genre, 15 00:01:52,440 --> 00:01:56,780 democratizing it, opening it to its fellow citizens, 16 00:01:56,780 --> 00:02:08,360 rejecting the idea that opera is a reality linked to the bourgeoisie, moving away from the idea 17 00:02:08,360 --> 00:02:16,740 that people at risk of exclusion cannot be active agents of cultural creation, 18 00:02:16,740 --> 00:02:21,140 all from an ethical point of view, and making an assessment 19 00:02:21,140 --> 00:02:23,420 of its transformative impact 20 00:02:23,420 --> 00:02:23,440 throughout the community process. of its transformative impact 21 00:02:23,440 --> 00:02:26,920 throughout the community process. 22 00:02:35,140 --> 00:02:42,700 Opera is a complete art, with music, singing, theatre, 23 00:02:42,700 --> 00:02:47,660 poetry, dance, sculpture and visual arts... 24 00:02:47,660 --> 00:02:52,700 a fantastic alchemy that has been updated over time thanks to the collaboration 25 00:02:52,700 --> 00:02:55,700 of great professionals from these creative sectors. 26 00:02:55,700 --> 00:03:02,760 Technology is at the service of the creative operatic act and is applied to the scene 27 00:03:08,860 --> 00:03:16,720 While the operatic arguments are the mirror of past times, the scenographic proposals 28 00:03:16,720 --> 00:03:21,620 with applied technology take us back to the 21st century. 29 00:03:21,620 --> 00:03:29,980 Two recent examples are Rubinstein's Demon represented at the Liceu. It had a huge 30 00:03:29,980 --> 00:03:40,260 semi-sphere and a great scenographic perspective that occupied the entire stage. 31 00:03:40,260 --> 00:03:50,020 Or the last Turandot by Puccini, represented in a world premiere in October 2019 at the Liceu, 32 00:03:50,020 --> 00:03:56,420 where robots led an absolutely futuristic production. 33 00:03:56,420 --> 00:04:01,800 But beyond what may happen in scenographic terms, 34 00:04:01,800 --> 00:04:10,040 technology is serves opera in terms of providing for accessibility, 35 00:04:10,040 --> 00:04:17,880 social inclusion and democratization. 36 00:04:17,880 --> 00:04:26,080 Being part of the TRACTION team means being aware of what technology 37 00:04:26,080 --> 00:04:35,260 contributes on a stage and at an artistic level, but especially in terms of of social transformation.