Articles

Articles 31 registres trobats  anterior11 - 20següentfinal  anar al registre: La cerca s'ha fet en 0.01 segons. 
11.
16 p, 370.6 KB Danza, arte y yoga en la obra de Heather Hansen / Molina Vicente, Laura (Universidad Complutense de Madrid)
El presente artículo analiza Kinetic Drawing, obra desarrollada por Heather Hansen a partir de 2013, en la que se funden danza, yoga y pintura a través de performances. Es el resultado de la búsqueda de cómo descargar los movimientos directamente sobre el papel de una forma orgánica, empleando el cuerpo como único instrumento, el yoga y la danza como vías creativas y la meditación como proceso de interiorización y des-intelectualización para iniciar el desarrollo artístico. [...]
The present article analyzes Kinetic Drawing, a piece developed by Heather Hansen since 2013, in which dance, yoga and painting are fused through performances. It is the result of the search of how to download the movements directly on the paper in an organic way, using the body as the only instrument, yoga and dance as a creative means and meditation as a process of interiorization and dis-intellectualization to initiate artistic development. [...]

2018 - 10.5565/rev/indialogs.98
Indialogs : Spanish journal of India studies, Vol. 5 (2018) , p. 89-104 (Articles)  
12.
7 p, 4.0 MB A Influência doTempo de Prática de Dança de Salão nos Níveis de Depressão de Idosos / Melo, Cristina Carvalho de (Universidade Federal de Minas Gerais) ; Costa, Varley Teoldo da (Universidade Federal de Minas Gerais) ; Boletini, Tatiana (Universidade Federal de Minas Gerais) ; Freitas, Vinicius Gomes de (Universidade Federal de Minas Gerais) ; Costa, Israel Teoldo da (Universidade Federal de Viçosa) ; Arreguy, Agnes Vasconcelos (Universidade Federal de Viçosa) ; Noce, Franco (Universidade Federal de Minas Gerais)
La danza de salón puede ser una aliada en el tratamiento de la depresión, ya que produce beneficios físicos, psicológicos y sociales; en los que los ancianos revelan sus mayores necesidades y debilidades. [...]
Ballroom dancing can be an ally in the treatment of depression, since it produces physical, psychological, and social benefits; in which the elderly reveal their greatest needs and weaknesses. It is necessary to rethink the lifestyle of the elderly population, developing intervention strategies that will contribute to this population have a positive trajectory of agin. [...]

2018
Revista de psicología del deporte, Vol. 27 Núm. 4 (2018) , p. 67-73 (Monográficos)  
13.
16 p, 153.2 KB "Saberes gestuales" : Epistemologías, estéticas y políticas de un "cuerpo danzante" / Bardet, Marie (Universidad Nacional San Martín)
El campo de pensamientos y de prácticas que se despliega en el encuentro entre danza y filosofía exige desplazamientos en los modos de conocer instituidos, que son, a su vez, modos de hacer. En este artículo se problematizan ciertas dimensiones epistemológicas de un pensar situado desde un «cuerpo danzante», en intersección con pensamientos y prácticas feministas, con el objetivo de dar consistencia a herramientas para pensamientos en torno al cuerpo sin volverlo objeto, sea de estudio, de desprecio o de culto. [...]
El camp de pensaments i de pràctiques que es desplega en l'encontre entre dansa i filosofia exigeix desplaçaments en les maneres de conèixer instituïdes, que són, al seu torn, maneres de fer. En aquest article es qüestionen certes dimensions epistemològiques d'un pensar situat des d'un «cos dansant», en intersecció amb pensaments i pràctiques feministes, amb l'objectiu de donar consistència a eines per a pensaments entorn del cos sense tornar-lo objecte, sigui d'estudi, de menyspreu o de culte. [...]
The field of thoughts and practices that unfolds in the encounter between dance and philosophy requires displacing instituted ways of knowing that are, as well, ways of doing. Here I question certain epistemological dimensions of thought from a 'dancing body' in intersection with feminist thoughts-practices in order to construct consistent tools for thinking from and about the body without turning it into an object, either of study, of contempt or of worship. [...]

2018 - 10.5565/rev/enrahonar.1206
Enrahonar : quaderns de filosofia, Vol. 60 (2018) , p. 13-28 (Articles)  
14.
37 p, 392.9 KB Diálogos en movimiento : reflexiones teórico- metodológicas de la danza como recurso de investigación interdisciplinar / Campo Aráuz, Lorena (Universidad Politécnica Salesiana de Ecuador) ; Palys, Ana María (Pontificia Universidad Católica del Ecuador) ; Passo, Patricia (Universidad Rey Juan Carlos) ; Tamayo, Silvia (Casa de la Cultura Ecuatoriana)
Se advierte que en la sociedad occidental contemporánea, en general, predomina una forma de enseñanza totalizante, homogeneizante, que sobreestima los procesos mentales y que nos ha ido distanciando de nuestros cuerpos. [...]
S'adverteix que, en la societat occidental contemporània, en general, predomina una forma d'ensenyament totalitzant, homogeneïtzant, que sobreestima els processos mentals i que ens ha anat distanciant dels nostres cossos. [...]
In Western society, a form of totalizing and homogenizing way of teaching predominates. This teaching overestimates the mental processes and has distanced us from our bodies. There is a need to integrate the body in movement into the daily life of our existence, which becomes visible with greater emphasis on the dance and the performer. [...]

2018 - 10.5565/rev/grafowp.32
GRAFO working papers, Vol. 7, Febrero 2018, p. 1-37 (Artículos)  
15.
24 p, 1.2 MB Danser la Rédemption / Acone, Ludmila (Université Paris 1. Laboratoire de Médiévistique Occidental de Paris)
Dans la Comédie de Dante, les âmes voyagent le long des trois cantiques, suivant le cheminement spirituel. Ces âmes se meuvent et dansent différemment en fonction des fautes commises de la purgation et de leur accès au ciel. [...]
In Dante's Divine Comedy, the souls travel throughout the three canticas along their spiritual path. The souls move and dance differently in accordance with their sins, their expiation in Purgatory, and their ascension to heaven. [...]

2017 - 10.5565/rev/dea.90
Dante e l'Arte, Vol. 4 (2017) , p. 101-124 (Dossier monografico)  
16.
48 p, 359.7 KB Quasi una catabasi. La Divina Commedia nella danza degli ultimi 200 anni : Parte I / Fratini Serafide, Roberto (Institut del Teatre (Barcelona, Catalunya))
Il saggio ripercorre due secoli di adattamenti coreografici della Divina Commedia (nell'ambito della danza classica, moderna e contemporanea), mettendoli in rapporto con la storia generale del ruolo di Dante nell'immaginario culturale d'Occidente, e sussumendone l'ipotesi di un uso generale di Dante come sintomo o catalizzatore di inquietudini epocali, paradossi formali e "vizi" poetici della danza degli ultimi duecento anni.
The essay retraces two centuries of choreographic adaptations of the Divine Comedy (in the sphere of classical, modern and contemporary dance), putting them in relation with the general history of Dante's role in the cultural imaginary of the West, and subsuming the hypothesis of a general use of Dante as a symptom or catalyst of contemporary concerns, formal paradoxes and poetic "vices" of the dance of the last two hundred years.

2017 - 10.5565/rev/dea.88
Dante e l'Arte, Vol. 4 (2017) , p. 137-184 (Dossier monografico)  
17.
36 p, 2.1 MB La danza come movimento ed espressione nelle immagini poetiche della Commedia di Dante / Cieri Via, Claudia (Università di Roma La Sapienza)
Il saggio intende interrogarsi sul ruolo della danza nella Commedia dantesca e sul rapporto fra immagine e poesia. Dall'analisi dei versi del poeta, le immagini di danza emergono attraverso le tre Cantiche ora in occorrenze o specifiche citazioni ora con allusione al loro carattere metaforico, ma spesso anche come espressione dei "moti del corpo come moti dell'animo" con riferimento alla trattatistica antica e moderna e alla luce, infine del pensiero di Aby Warburg e della elaborazione teorica del suo tempo.
The essay intends to question the role of dance in Dante's Comedy and the relationship between image and poetry. From the analysis of the poet's verses, the images of dance emerge through the three Canticles, now in occurrences or specific quotations now alluding to their metaphorical character, but often also as an expression of "motions of the body as motions of the soul" with reference to the ancient and modern treatises, and ultimately to the light of Aby Warburg's thought and the theoretical elaboration of his time.

2017 - 10.5565/rev/dea.87
Dante e l'Arte, Vol. 4 (2017) , p. 31-66 (Dossier monografico)  
18.
34 p, 766.9 KB Discipline and Redemption : the Dance of Penitence in Dante's Purgatorio / Dickason, Kathryn (Stanford University)
In the context of Christian penitence, medieval preachers, confessors, and philosophers aligned dancing with lust, pride, and sacrilege. These negative attitudes toward dance colored medieval depictions of Purgatory and damnation. [...]
Nel contesto della penitenza cristiana, predicatori medievali, confessori e filosofi affiancano la danza alla lussuria, all'orgoglio e al sacrilegio. Questi atteggiamenti negativi verso la danza denotano l'immaginazione medievale del Purgatorio e della dannazione. [...]

2017 - 10.5565/rev/dea.81
Dante e l'Arte, Vol. 4 (2017) , p. 67-100 (Dossier monografico)  
19.
12 p, 319.6 KB "Donne mi parver, non da ballo sciolte" : appunti su danza e pericorsi tra gli spiriti sapienti / De Ventura, Paolo (University of Birmingham. Italian Studies)
Sorprendentemente, gli spiriti sapienti nel cielo del Sole sono paragonati a donne danzanti. Forse perché nella Bibbia Sapientia è una fanciulla che danza. Ma soprattutto perché movimento eterno di danza circolare, e danza nuziale, è la pericoresi trinitaria. [...]
Surprisingly, the Wise Spirits in the Heaven of the Sun are presented as dancing women. Perhaps, because in the Bible Sapientia appears like a dancing girl. But, first and foremost, because the divine perichoresis is an aeternal and circular movement of dance, a nuptial dance. [...]

2017 - 10.5565/rev/dea.85
Dante e l'Arte, Vol. 4 (2017) , p. 125-136 (Dossier monografico)  
20.
20 p, 418.8 KB Coreografie dantesche / Ciabattoni, Francesco (Georgetown University)
Le più notevoli scene di ballo nella Commedia hanno come protagoniste delle donne o degli uomini paragonati a donne. Dalla danza delle virtù teologali nel paradiso terrestre alla danza dei teologi nel Cielo del Sole e a quella dei santi Pietro, Giovanni e Giacomo, Dante usa la figura femminile come paragone della grazia coreutica, sfidando una lunga tradizione che inibiva il ballo muliebre. [...]
The most striking scenes of dancing portrayed in Dante's Commedia feature either female protagonists or male characters likened to women in a simile. From the dance of the theological virtues in the earthly paradise to the dance of the theologians in the Heaven of the Sun, as well as the dance of saints Peter, John and James, Dante uses feminine figures as a paragon of choreographic grace, challenging the long-standing tradition that forbade female dancing. [...]

2017 - 10.5565/rev/dea.82
Dante e l'Arte, Vol. 4 (2017) , p. 11-30 (Dossier monografico)  

Articles : 31 registres trobats   anterior11 - 20següentfinal  anar al registre:
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