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7 p, 3.0 MB |
Artes del espectáculo y nuevas tecnologías
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Paz Gago, José María (Universidade da Coruña)
The semiotic relationship between theatrical performance and technology is as old as Western civilization itself. Since the ancient Greeks, theatre has not only experimented actively with the most innovative inventions of each age, but has also served as a base for experimentation with all types of mechanisms: from spotlights and other devices for illumination and projection to the most advanced audiovisual inventions -analogue or digital, simulated or virtual. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 27-38
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7 p, 2.9 MB |
O artista como cientista
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Flach, Sabine (Centro de Estudos Literários de Berlim)
Contemporary media arts are examined in the context of current forms of representation, mediation, and storage of knowledge. If we understand art not as a system of visualizing what we already know, but in its capacity to generate new knowledge, then we realize that the arts can participate in the active production of knowledge and knowledge systems. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 51-62
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6 p, 2.4 MB |
O ciberespaço, a vida e a arte
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Leão, Lucia (UNICAMP)
The idea of connecting art and life is present in some projects of net-art that call upon the participation of people. In this article, we initiate a discussion presenting the concept of cyberspace in its plurality; we propose a revision of art history's moments that had choose the ordinary man as the main protagonist; we sketch an "archaeology of interactivity" reflecting on Lygia Clark's projects; and we enter the "fight against the alienation of the man", the situationists' proposal that is revisited by cyber art.
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 73-83
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6 p, 2.3 MB |
Entre a arte e a tecnologia : o corpo como motor da obra
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Arantes, Priscila (PUC/SP)
The evolution of art, from its phase of modernity up to its most recent trends, has shown a growing interest in phenomena of life. In the course of this process, concepts and practices linked to traditional aesthetics, such as pictorial representation by means of traditional media, and conventional places of exhibition, such as museums or art galleries, have more and more been abandoned -and spectators have been assigned a more participative role in art with the aim to break with the contemplative muteness of traditional aesthetics. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 85-94
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6 p, 2.5 MB |
Estética y cibercultura : arte en el contexto de la segregación dromocrática avanzada
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Trivinho, Eugênio Rondini (Universidad de San Pablo)
After a long indexation from primitive ritual, religion, aristocratic regime, bourgeois logic, Nazi threat, bureaucratic socialism, and the market, art experiences its fatal complicity, the vision of its own desire for innovation: the fusion with digital products, media, and networks, vectors of the immaterial and interactive phase of the capital -the cyber culture. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 95-104
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7 p, 2.9 MB |
La muerte de la fotografía
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Nöth, Winfried (Universidad de Kassel)
The "death of photography" is a metaphor of the advent of digital photography. It refers to the end of a medium whose messages were indexical signs of referential objects. Digital image making creates pictures which have lost their referent, but such loss of the photographic referent already existed in traditional photography. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 105-116
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5 p, 2.1 MB |
Seis propuestas para los próximos minutos
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Bastos, Marcus (Universidad Católica de San Pablo)
This paper discusses some usages of the audio-visual language of the digital media in dialogue with theoretical positions of authors such as Lev Manovich, Janet Murray, and Marc Lafia. The text analyzes works by Kiko Goifman, Laurie Anderson, Mark Amerika, and Gisell Beiguelman, among others, who explore audio-visual resources on CD-ROM and in the Internet -developing interfaces that are still restricted to the limits of the screen, or exploring technologies that go beyond the boundaries of the screen.
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 117-125
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6 p, 2.5 MB |
Silvia Prieto y el "otro" nuevo cine argentino
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La Valle, Fernando
This text analyzes some formal aspects in Silvia Prieto, a 1998 film by Martín Rejtman. It pursues the elucidation of significant elements aimed at the future development of the filmmaker's poetics, its possible links with a certain cinematic tradition, along with calling attention to a trend, which the author of the article ranks among the most important ones in today's Argentine cinema.
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 203-212
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7 p, 3.0 MB |
La utopía de la traducción
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Pellerey, Roberto (Universidad de Bolonia)
This article discusses the last edited book of Umberto Eco (2003) and examines the process of translation -considering it as one of the items of interpretation. Eco inserts this activity among the different items of possible interpretations. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 215-226
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2 p, 782.4 KB |
Ressenya
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Bertetti, Paolo
Obra ressenyada: Paolo FABBRI, Isabella PEZZINI (eds. ), Le avventure di Pinocchio. Tra un linguaggio e l'altro. Roma: Meltemi, 2003, 312 pp. Gianfranco MARRONE, Montalbano. Affermazioni e trasformazioni di un eroe mediatico. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 227-228
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2 p, 893.1 KB |
Ressenya
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Neitzel, Britta
Obra ressenyada: Heide HAGEBÖLLING (ed. ), Interactive dramaturgies. New Approaches in Multimedia Content and Design. Berlín, Heidelberg, Nueva York: Springer, 2004, 260 pp.
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 233-234
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1 p, 466.6 KB |
Ressenya
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Boria, Adriana
Obra ressenyada: Fabricio FORASTELLI, Ximena TRIQUELL (eds. ), Las marcas del género: configuraciones de la diferencia en la cultura. Centro de Estudios Avanzados, Universidad Nacional de Córdoba, 1999, 210 pp.
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 242-243
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1 p, 465.9 KB |
Ressenya
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Ammann, Ana Beatriz (Universidad de Córdoba)
Obra ressenyada: María Teresa DALMASSO, Adriana BORIA (eds. ), El discurso social argentino. 1. Memoria: 70/90; el discurso social argentino. 2. Sujeto: norma/transgresión; el discurso social argentino. [...]
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 244-245
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2 p, 792.1 KB |
Ressenya
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Servetto, Alicia
Obra ressenyada: Adriana BORIA, Graciela FERRERO, María Magdalena UZIN, Gloria BUSTOS, Susana GÓMEZ, Santiago ESTESO; 1973 Córdoba. Tiempos violentos. El discurso social. Dirección General de Publicaciones, Universidad Nacional de Córdoba, 1997.
2006
DeSignis, Núm. 10 (Octubre 2006) , p. 245-247
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