|
1.
|
|
14 p, 272.7 KB |
The Overflow of Contained Emotions in Anita Rau Badami's The Hero's Walk : An Analysis of Affects through the Imagery of Water
/
González-Rodríguez, María Luz (University of La Laguna)
In this article, Anita Rau Badami's second novel, The Hero's Walk (2000), is analysed through the perspective of the field of affects. This analysis examines how the author, through the imagery of water, presents the non-physical reality of feelings and emotions. [...]
El presente artículo tiene como objetivo analizar la segunda novela de Anita Rau Badami, The Hero's Walk (2000) desde el ámbito de los afectos, estudiando cómo la autora, a través de la imaginería del agua, presenta la realidad no física de los sentimientos y las emociones. [...]
2022 -  10.5565/rev/indialogs.203
Indialogs : Spanish journal of India studies, Vol. 9 (2022) , p. 11-24 (Articles)
|
|
|
2.
|
|
|
3.
|
|
|
4.
|
|
8 p, 75.5 KB |
Dalla città dolente. Colpa, Pena e Liberazione attraverso le Visioni dell'Inferno di Dante : Drammaturgia e Regia di Fabio Cavalli con i detenuti-attori del Teatro Libero di Rebibbia, Roma, Auditorium di Rebibbia, 2016
/
Cavalli, Fabio (Università Roma 3)
In questo articolo si espone l'idea che l'Inferno di Dante possa essere inteso come metafora di un Carcere contemporaneo. Nell'istituto penitenziario di Roma Rebibbia i detenuti-attori, resi celebri dal film Cesare deve morire dei fratelli Taviani, riflettono sui concetti di colpa, pena, pietas, speranza, liberazione attraverso le visioni della Commedia. [...]
This article poses the idea that Dante's Inferno can be understood as a metaphor for a contemporary Prison. In the prison institute of Rome Rebibbia the prisoners-actors, made famous by the film Cesare must die by the Taviani brothers, reflect on the concepts of guilt, pain, piety, hope, and freedom through the visions of the Commedia. [...]
2017 - 10.5565/rev/dea.80
Dante e l'Arte, Vol. 4 (2017) , p. 231-238 (Articoli)
|
|
|
5.
|
|
6 p, 68.9 KB |
Poesia, giustizia e carcere : dall'Inferno di Dante alla Città dolente
/
Bartoli, Lorenzo (Universidad Autónoma de Madrid)
Il saggio esamina le implicazioni ermeneutiche che emergono dallo spettacolo teatrale Dalla città dolente: colpa, pena e liberazione nelle visioni dell'Inferno di Dante, scritto e diretto da Fabio Cavalli, con la compagnia del Teatro Libero di Rebibbbia, mettendo in evidenza come l'incontro tra la poesia dell'Inferno e l'universo degli attori-detenuti inviti a riflettere sul concetto di colpa, giustizia retributiva e giustizia riparativa, in Dante e nella società contemporanea.
The essay examines the hermeneutical implications which arise from the theatrical piece Dalla città dolente: colpa, pena e liberazione nelle visioni dell'Inferno di Dante, written and directed by Fabio Cavalli, with the thetre company Teatro Libero di Rebibbia, to argue that the crossing of the poetry of Inferno with the realm of the actors-detained suggest a reflection on the concepts of guilt, retributive justice and restorative justice, in Dante and in contemporary society.
2017 - 10.5565/rev/dea.89
Dante e l'Arte, Vol. 4 (2017) , p. 239-244 (Articoli)
|
|
|
6.
|
|
30 p, 255.0 KB |
Culpa, miedo y vergüenza : las emociones de la violencia (El caso de violencia contra la pareja y/o ex -pareja)
/
Rodríguez Luna, Ricardo (Universitat Autònoma de Barcelona)
Las mujeres que padecen violencia de su (ex) pareja experimentan diversas emociones, que a su vez, se ven reforzadas o modificadas cuando las mujeres entran en contacto con el sistema penal. En este trabajo se analizan los vínculos entre sistema penal y emociones, de forma particular, la culpa, la vergüenza y el miedo. [...]
Women battered by their (ex) partner experience different emotions, at the same time, these emotions are reinforced or modified when women contact with the criminal justice system. The aim of this paper is: to analyze the links between the criminal system and three particular emotions, guilt, shame and fear; also, to investigate how this situation affects the women right of access to justice. [...]
2015
Derechos y libertades, Núm. 33 (junio 2015) , p. 223-252
|
|
|
7.
|
|
14 p, 519.6 KB |
Sí, la vida es muy rara. La culpa y el tiempo en "Life is Strange"
/
Martín Núñez, Marta (Universitat Jaume I) ;
García Catalán, Shaila (Universitat Jaume I) ;
Rodríguez Serrano, Aarón (Universitat Jaume I)
El tiempo, además de poder constituir mecánicas de juego, supone una experiencia fenomenológica y subjetiva que afecta a la jugadora. Life is Strange (Dontnod Entertainement, 2015) lo pone en juego deconstruyendo dos rasgos: el horizonte de la muerte y la posibilidad de dar marcha atrás en los flujos del devenir. [...]
Time, as well as a game mechanic, is a phenomenological and subjective experience that affects the player. Life is Strange (Dontnod entertainement, 2015) uses it to deconstruct two game features: the horizon of death and the possibility to reverse the flow of becoming. [...]
2016 - 10.7238/a.v0i54.2908
Anàlisi : quaderns de comunicació i cultura, Núm. 54 (juny 2016) , p. 1-14
2 documentos
|
|
|
8.
|
|
|
9.
|
|
19 p, 122.9 KB |
Contra Product Red. Una revisió crítica del màrqueting amb causa
/
Alfonso Escuder, Pilar
El dia 26 de gener de 2006, en el Fòrum Mundial de Davos, Paul Bono Hewson i Bobby Shriver -president de DATA (Debt, Aids, Trade, Africa)- anunciaren al món la creació de Product Red, una marca de marques constituïda per un grup de multinacionals, inicialment AMEX, The Gap, Emporio Armani i Converse, que s'havien atorgat llicència per fabricar i vendre productes Red amb el compromís de lliurar un percentatge dels seus beneficis al Fons Global per a la lluita contra la sida a l'Àfrica. [...]
On 26th January 2006 at de Davos summit of world leaders, Paul Bono Hewson and Bobby Shriver -chairman of DATA (Debt, Aids, Trade, Africa)- made the announcement of the creation of Product Red. This brand of brands is made up of a group of multinational corporations such as AMEX, The Gap, Emporio Armani and Converse, which make and sell Red products with the commitment to donate a percentage of their profits to the Global Fund to fight aids in Africa. [...]
2008
Anàlisi : quaderns de comunicació i cultura, N. 37 (2008) p. 49-67
|
|
visitante ::
identificación
alerta personal vía correo electrónico o subscríbase al 
canal RSS.
