Results overview: Found 6 records in 0.03 seconds.
Articles, 5 records found
Research literature, 1 records found
Articles 5 records found  
1.
16 p, 314.8 KB The impact of Japanese and South Korean audiovisual production in Spain : circulation, reception and influence / Guarné Cabello, Blai (Universitat Autònoma de Barcelona. Departament de Traducció i d'Interpretació i d'Estudis de l'Àsia Oriental)
En los últimos años, las producciones audiovisuales japonesas y surcoreanas han pasado a formar parte del paisaje social español al ritmo que su circulación global convertía a Japón y Corea del Sur en auténticas superpotencias culturales. [...]
In recent years, Japanese and South Korean audiovisual productions have become part of the Spanish social landscape at the rate at which their global circulation was turning Japan and South Korea into veritable cultural superpowers. [...]

2020
L'Atalante, Núm. 29 (2020) , p. 7-22  
2.
25 p, 778.2 KB El movimiento en el umbral : la suspensión de lo fantástico en Maborosi (1995), de Hirokazu Koreeda / Iturregui-Motiloa, Víctor (Universidad del País Vasco)
Este artículo consiste en un análisis fílmico y narratológico de la película Maborosi (Hirokazu Koreeda, 1995). En su ópera prima, el cineasta japonés propone una atípica historia de fantasmas, en tanto que la vida de la protagonista se basa en una búsqueda imposible de lo sobrenatural. [...]
This paper consists of a filmic and narratological analysis of Maborosi (Hirokazu Koreeda, 1995). In his first work, the Japanese filmmaker sets up an atypical ghost story, since the protagonist struggles to find the supernatural. [...]

2020 - 10.5565/rev/brumal.691
Brumal, Vol. 8 Núm. 2 (2020) , p. 249-273 (Miscellaneous)  
3.
14 p, 263.1 KB Japan's new left and new wave. An ideology's perspective as an alternative to that of national cinema / Vargas, Ferran de (Universitat Autònoma de Barcelona. Departament de Traducció i d'Interpretació i d'Estudis de l'Àsia Oriental)
Starting from the perspective that national cinema is not a neutral concept, but rather a film expression with ideological implications, in this article I will argue that what should be analysed in films is not what connects them to certain nations, but with certain ideologies. [...]
2019 - 10.3390/arts8010001
Arts, Vol. 8, núm. 1 (2019)  
4.
6 p, 1.4 MB Throw away your books, rally in the streets : the relationship between intellectuals and masses in Terayama Shuji's cinema / Vargas, Ferran de (Universitat Autonoma de Barcelona)
Terayama Shuji is as important counterculturally to the late 1960s and early 1970s as the philosopher Yoshimoto Takaaki was intellectually. Through the analysis of Terayama's film Throw Away Your Books, Rally in the Streets (Sho o Suteyo, Machi e Deyo), this paper explores a premise little discussed in publications in English so far: namely, that the existentialist emphasis of this director's cinema on the self-questioning subject, its transformation through action over circumstances and discourse, linked to its emancipatory spirit, allows him to connect his approaches with the ideology of the most libertarian sectors of the Japanese New Left during Japan's 1960s 'season of politics'.
2018
New Ideas in East Asian Studies, Núm. 2 (2018)  
5.
10 p, 171.3 KB Elogio de Naomi Kawase / Bullot, Érik (École nationale supérieure d'art de Bourges)
Este ensayo del artista y crítico francés Érik Bullot recorre una serie de motivos que atraviesan las películas de la cineasta japonesa Naomi Kawase. Bullot estudia su relación con la fotografía y el cine de autor, así como la mezcla de géneros (documental, diario, relato íntimo, video de artista, meditación poética, autobiografía, ensayo) y sus grandes temas: la huella, la desaparición, el abandono o la infancia.
This essay by French artist and critic Érik Bullot traces the evolution of a set of issues in the films by Japanese Film-maker Naomi Kawase. Bullot analizes Kawase's relation with photography and independent cinema, her mix of genres (documentary, diary, intimate narratives, art video, poetic meditation, autobiography, essay) and the main topics she tackles: traces, disappearances, abandonment and childhood.

2012 - 10.2436/20.8020.01.42
Lectora : revista de dones i textualitat, Núm. 18 (2012) , p. 153-162  

Research literature 1 records found  
1.
131 p, 984.9 KB El cine de la Nuberu Bagu como correlato artístico de la nueva izquierda japonesa. Una lectura política de las producciones culturales / de Vargas Díaz del Río, Ferran ; Guarné Cabello, Blai, dir.
Aquesta tesi doctoral analitza el corrent cinematogràfic de la Nuberu Bagu partint de la premissa que les seves característiques permeten considerar-lo un component integrant de la ideologia de la Nova Esquerra japonesa, pertanyent ambdós fenòmens a la denominada ""època de la política"" (seiji no kisetsu) (1966-1971). [...]
Esta tesis doctoral analiza la corriente cinematográfica de la Nuberu Bagu partiendo de la premisa de que sus características permiten considerarla un componente integrante de la ideología de la Nueva Izquierda japonesa, perteneciendo ambos fenómenos a la denominada "época de la política" (seiji no kisetsu) (1966-1971). [...]
This Ph. D. dissertation analyses the Nūberu Bāgu film trend based on the premise that its characteristics allow it to be considered an integral component of the Japanese New Left ideology, with both phenomena belonging to what is known as the "season of politics" (seiji no kisetsu) (1966-1971). [...]

2020  

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