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Articles, 15 records found
Articles 15 records found  1 - 10next  jump to record:
1.
6 p, 150.6 KB Tiranos Temblad : signos paródicos para una comunidad latinoamericana imaginada / Andacht, Fernando (Universidad de la República)
El artículo analiza el proceso de significación de la serie creada para YouTube Tiranos Temblad. Resumen de Acontecimientos Uruguayos. Su peculiar forma de parodiar videos caseros cuya temática gira en torno a la nación uruguaya subidos a esa red social genera una nueva forma de hacer política y de concebir el nacionalismo en la era de internet. [...]
The article analyzes the signification process of the YouTube series Tiranos Temblad. Resumen de Acontecimientos Uruguayos. Its odd way of parodying amateur videos uploaded to that social media website whose subject matter is the ways of the Uruguayan nation generates a new-fangled way of doing politics and of construing nationalism in the age of internet. [...]

2017
DeSignis, Núm. 26 (Enero-Junio 2017) , p. 151-160  
2.
13 p, 329.6 KB La parodia del viaje al inframundo en la Novella di Ferondo (ottava della terza giornata), del Decameron, de Giovanni Boccaccio (1313-1375) / Swiderski, Liliana Noemí (Universidad Nacional de Mar del Plata)
En la Novella di Ferondo, Boccaccio recupera dos líneas argumentales presentes en la tradición medieval, pero cuyo tratamiento conjunto es claro indicio del pasaje a la cosmovisión renacentista. Por un lado, el tópico del adulterio propio de los fabliaux, que reúne personajes tipificados: el marido estulto y vigilante, la esposa seductora y controlada, el amante astuto y lujurioso. [...]
The Novella di Ferondo develops two plot-lines typical of the medieval tradition, but whose joint approach shows the passage to the Renaissance worldview. On the one hand, the topic of adultery characteristic of the fabliaux, with their main characters: the stupid and vigilant husband, the seductive and submissive wife, the astute and lustful lover. [...]

2019
Mirabilia, Núm. 28 (jan-jun 2019) , p. 202-214 (Special issue)  
3.
25 p, 274.0 KB HP Lovecraft on screen, a challenge for filmmakers (allusions, transpositions, rewritings) / Menegaldo, Gilles (Université de Poitiers)
This article first delineates the reasons why it is difficult to adapt Lovecraft's fiction to the screen. It then analyses different types of adaptation, either straight or more loose, focusing in particular on the work of Stuart Gordon, one of the main adapters of Lovecraft with films ranging from parody (Herbert West Reanimator) to more serious adaptations which however depart in various ways (especially adding women characters and sex) from their source text (Dagon, The Dreams in the Witch House). [...]
En primer lugar, este artículo describe las razones que hacen difícil adaptar la ficción de Lovecraft a la pantalla. A continuación, se analizan diferentes tipos de adaptación, ya sea estricta o más o menos libre, centrándose en particular en el trabajo de Stuart Gordon, uno de los principales adaptadores de Lovecraft con películas que van desde la parodia (Herbert West Reanimator) hasta versiones más serias, que, sin embargo, toman diversas vías (en especial, agregando personajes femeninos y sexo) a partir de su texto fuente (Dagon, The Dreams in the Witch House). [...]

2019 - 10.5565/rev/brumal.591
Brumal, Vol. 7 Núm. 1 (2019) , p. 55-79 (Monograph)  
4.
16 p, 229.3 KB Naipaul's Magic Seeds : a Parody of Political Mimicry / Díaz de Olarte, Miren Karmele (Universidad de Las Palmas de Gran Canaria)
As a colonial author, Naipaul is deeply concerned with the exploration of the nature of the colony from a cultural and a political perspective. Being of Indian descent, his interest in pondering over Indian history and understanding its cultural identity is central to his fiction. [...]
La exploración de la naturaleza de la colonia desde un punto de vista cultural y político es un elemento central en la literatura de Naipaul, autor de ascendencia india nacido en la India colonial. [...]

2019 - 10.5565/rev/indialogs.116
Indialogs : Spanish journal of India studies, Vol. 6 (2019) , p. 81-96 (Articles)  
5.
20 p, 4.8 MB L'inferno up to date : attualizzazioni dell'Inferno di Dante nei fumetti / Winter, Ursula (Katholische Universität Eichstätt-Ingolstadt)
Nel periodo che va dal 1949 al 2016 possiamo registrare in ambito mondiale quasi venti versioni dell'Inferno di Dante adattato per i fumetti. Le seguenti analisi si rivolgono alle attualizzazioni presenti in questi fumetti, a parte il fatto che questo mezzo espressivo stesso data da poco più di un secolo. [...]
Between 1949 and 2016, almost twenty comic book adaptations of Dante's Inferno were created worldwide. The following analyses focus on the updates the comics contain in addition to the fact that the medium itself has only existed for little more than a hundred years. [...]

2018 - 10.5565/rev/dea.94
Dante e l'Arte, Vol. 5 (2018) , p. 61-80 (Dossier monografico)  
6.
24 p, 1.9 MB Il Sommo Topolino nella selva oscura : spunti per una lettura linguistica de L'Inferno di Topolino / Pietrini, Daniela (Martin Luther University Halle-Wittenberg)
La Divina Commedia non ha soltanto condizionato fin dalle origini l'intero percorso della letteratura e della lingua italiana, ma continua ancora oggi a ispirare opere e autori dagli stili più diversi, dalla musica al cinema e ovviamente al fumetto. [...]
The Divine Comedy has not only had a profound influence on Italian Literature and Language since the very beginning, but it also continues to be a source of inspiration for many authors and works of different styles and cultural fields, from music to film etc. [...]

2018 - 10.5565/rev/dea.109
Dante e l'Arte, Vol. 5 (2018) , p. 81-104 (Dossier monografico)  
7.
30 p, 4.3 MB La Divina parodia : un'analisi socioculturale di Dante. La Divina Commedia a fumetti di Marcello Toninelli / Tirino, Mario (Università degli Studi Salerno) ; Di Paola, Lorenzo (Università degli Studi Salerno)
La forza dell'immaginario nato dalla Divina Commedia ha attraversato secoli e media dando vita a una vasta ed eterogenea selva di prodotti figli dell'eredità dantesca. Il fumetto italiano si è confrontato più volte con il poema "sacro", ma l'unica trasposizione integrale dell'opera è Dante. [...]
The power of the imaginary, fueled by Dante's Divina Commedia, has crossed centuries and the media, giving rise to a vast and heterogeneous collection of products of Dante's legacy. The authors of Italian comics have been confronted several times with the "sacred" poem, but the only complete transposition of the work is Dante. [...]

2018 - 10.5565/rev/dea.108
Dante e l'Arte, Vol. 5 (2018) , p. 105-134 (Dossier monografico)  
8.
20 p, 230.7 KB Una transgresión autorizada : metalepsis como resorte de lo fantástico en At Swim-Two-Birds de Flann O'Brien / Francisco Rodó, Alicia (Universitat Pompeu Fabra)
El presente artículo analiza cómo la transgresión de fronteras característica de lo fantástico se origina en At Swim-Two-Birdsde Flann O'Brien a través de la metalepsis, figura retórica que acciona el resorte fantástico, desestabilizando la frontera entre la realidad y la ficción y generando una inquietud en el lector en la medida en que este se ve forzado a interrogarse sobre los límites de lo real y el estatus ontológico del autor y los personajes, así como su propio estatus. [...]
This paper analyses how the transgression of boundaries, the characteristic of the fantastic, in Flann O'Brien's At Swim-Two-Birds comesfrom the metalepsis, a rhetorical figure that activates the mechanism of the fantastic by destabilizing the boundary between reality and fiction and by creating a feeling of uncertainty in the reader since he/she is forced to ask himself/herself about the boundaries of reality and the ontological status of the author and the characters, as well as his/her own status. [...]

2018 - 10.5565/rev/brumal.466
Brumal, Vol. 6 Núm. 1 (2018) , p. 105-124 (Monograph)  
9.
17 p, 190.7 KB El humor y lo fantástico en la narrativa de Adolfo Bioy Casares / Martínez, Carlos Dámaso (Universidad Nacional de las Artes (Argentina))
La narrativa fantástica de Adolfo Bioy Casares incorpora desde La invención de Morel (1940)algunos rasgos irónicos que le suma un leve tono humorístico, pero el fantástico es lo predominante y el factor que produce una renovación del género hacia 1940. [...]
The fantastic narrative of Adolfo Bioy Casares incorporates, beginning with the Invention of Morel (1940), some ironic features that add a humorous tone to it but where the fantastic is fundamental since it produces a renewal of the genre towards 1940. [...]

2018 - 10.5565/rev/brumal.437
Brumal, Vol. 6 Núm. 1 (2018) , p. 125-141 (Monograph)  
10.
27 p, 680.4 KB «El halcón de Federico» de Lope de Vega, una reinterpretación anticortés de «Decamerón», V, 9 / Maggi, Eugenio (Università di Bologna)
El artículo estudia algunos aspectos problemáticos de la comedia El halcón de Federico (inspirada en Decamerón, V, 9), que aquí se aborda teniendo en cuenta su colocación en las postrimerías de la primera etapa lopesca. [...]
This article examines some problematic aspects of the comedia El halcón de Federico (inspired by Decameron, V, 9), in the context of Lope's early theatre. In particular, the analysis suggests that Lope revisited Boccaccio's tale through a reading of La Celestina, demythologizing its characters and symbols in an anticourtly vein. [...]

2013 - 10.5565/rev/anuariolopedevega.70
Anuario Lope de Vega, Vol. 19, Núm. (2013) , p. 67-93 (Artículos)  

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