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Results overview: Found 7 records in 0.02 seconds.
Articles, 5 records found
Books and collections, 1 records found
Research literature, 1 records found
Articles 5 records found  
1.
32 p, 9.3 MB Iconos devocionales y donantes. A propósito de una nueva Koímesis creto-veneciana de inicios del siglo XVI / Castiñeiras, Manuel 1964- (Universitat Autònoma de Barcelona) ; Abenza Soria, Verónica Carla (Consejo Superior de Investigaciones Científicas (Espanya))
El presente artículo trata de un desconocido icono de la Koímesis de inicios del siglo XVI, atribuible al taller de los Ritzos, que nos permite valorar los gustos artísticos, estéticos y devocionales que caracterizaron a la sociedad creto-veneciana de Candia durante ese período. [...]
The following article deals with an unknown early 16th-century icon of the Koímesis, which can be attributed to the Ritzos' workshop. Its study allows us a better understanding of the artistic, aesthetic, and devotional tastes which characterized the Creto-Venetian society in Candia during this period. [...]
Editorial Universidad de Alcalá, 2022 - 10.37536/ebizantinos.2022.10.2070
Estudios Bizantinos, Vol. 10 (2022) , p. 65-96  
Detailed record - Creative Commons
2.
9 p, 92.5 KB Estética y teología en el icono medieval / Moya Ruiz, Albert (Universitat Internacional de Catalunya)
La tradición icónica medieval constituye un lugar de encuentro privilegiado para examinar y determinar, histórica y especulativamente, los fecundos vínculos existentes entre la experiencia estética y la teología cristiana. [...]
The medieval iconic tradition constitutes a privileged place to trace and determine, historically and speculatively, the fruitful links between aesthetic experience and Christian theology. Presented as a symbol of incarnation and a window into the absolute, the icon reaches in the Middle Ages a status superior to art because, on the one hand, it can make visible the invisible to a greater degree than any other artistic form and on the other it constitutes, for the believer, an effective means of salvation, even possessing in the context of the Orthodox Church a sacramental status.
2018
Enrahonar, Núm. Supplement Issue (2018) , p. 173-181  
Detailed record - Creative Commons
3.
15 p, 364.3 KB L'omnivoyant de Nicolas de Cues : tableau ou icône? / Manolescu, Anca (Université de Bucarest)
Le traité cusain De icona ou De visione Dei porte dans la traduction en français d'Agnès Minazzoli le titre Le tableau ou la vision de Dieu. En effet, c'est d'un portrait d'omnivoyant, d'une image artistique, "fabriquée", semblable à celle produite par l'art du "très grand peintre Roger" que part Nicolas de Cues pour déployer sa méthode de connaissance mystique. [...]
The treaty De visione Dei, with the alternative title De icona, was translated in French by Agnès Minazzoli as Le tableau ou la vision de Dieu. The path of mystical knowledge commences indeed with an image of the Allseeing: an image which is "artistic", "manufactured", as the one produced by the art of the "great master Roger". [...]
2014
Mirabilia, Núm. 19 (Jun-Dez 2014) , p. 155-169  
Detailed record -
4.
22 p, 135.0 KB Conceptos para una sociología del paisaje / Echavarren, José Manuel
El paisaje ha sido un gran olvidado dentro de la tradición sociológica como un producto y como una fuerza activa en la producción social. El paisaje es también sociedad y las formas en las que se interpreta, los modos a través de los cuales interaccionamos con él, y aún su misma forma, derivan de procesos sociales. [...]
In traditional sociology, landscape has not been considerer as a product and agent of social production. Yet landscape is also society, and the ways by which we interact with landscape and even its very shape derive from social processes. [...]
2010 - 10.5565/rev/papers/v95n4.61
Papers : revista de sociologia, Vol. 95, Núm. 4 ( 2010) , p. 1107-1128  
Detailed record - Creative Commons
5.
22 p, 160.0 KB Il volto di Dio, il volto di Laura. Appunti preliminari / Bertone, Giorgio
L'Autore esamina Rvf 16, 77, 78 (chiarendone fino in fondo l'esegesi minuta) sostanzia1mente per approfondire i rapporti di P. con l'Immagine e con il Ritratto (quello di Laura eseguito da Simone Martini, e l'idea di ritratto che emerge dai sonetti gemellati). [...]
The author examines Rvf 16, 77, 78 (in considerable depth and detail) substantially in order to provide a fuller understanding of the relationships held by P. with Image and Portrait (that of Laura by Simone Martini, and also the notion of portrait that emerges from the conceptually related sonnets). [...]
2006 - 10.5565/rev/qdi.164
Quaderns d'Italià, N. 11 (2006) p. 223-244  
Detailed record - Creative Commons

Books and collections 1 records found  
1.
13 p, 713.3 KB Corpi iconizzati e immagini "corporizzate" / Bacci, Michele (Universität Freiburg)
In questo saggio si presentano alcune osservazioni generali circa le ragioni e le modalità per cui, nella tarda Antichità e nel Medioevo, alcuni corpi eccezionali, in particolare quelli assai poco attraenti di uomini anziani venerati come santi in ragione delle loro virtù ascetiche, finirono per essere descritti come mirabilia, ossia come reliquie straordinariamente belle, destinate ad essere osservate e contemplate. [...]
The present paper offers some thoughts as to the dynamics by which, in the perception of Late Antiquity and the Middle Ages, some specific bodies, especially the unattractive remnants of old men worshipped as saints on account of their ascetic virtues, came to be described as mirabilia, that is as wonderfully beautiful relics, meant to be looked at and contemplated in the same way as holy portraits. [...]
Bellaterra : Universitat Autònoma de Barcelona. Servei de Publicacions, 2020
Imago & mirabilia : les formes del prodigi a la Mediterrània medieval, 2020, p. 113-124  
Detailed record -

Research literature 1 records found  
1.
58 p, 2.2 MB La evolución de un icono cinematográfico : un estudio de caso a través de los remakes de King Kong / González Cabezas, Inés ; Longhi, Ludovico, dir. (Universitat Autònoma de Barcelona. Departament de Comunicació Audiovisual i Publicitat) ; Universitat Autònoma de Barcelona. Facultat de Ciències de la Comunicació
King Kong s'ha convertit en una icona en l'imaginari col·lectiu que ha anat modificant-se a mesura que la societat i les sensibilitats han canviat. Aquest treball analitza les versiones clàssiques de King Kong, creada por Merian C. [...]
King Kong se ha convertido en un icono en el imaginario colectivo que ha ido modificándose a medida que la sociedad y las sensibilidades han cambiado. Este trabajo analiza las versiones principales de King Kong, creado por Merian C. [...]
2023
Grau en Comunicació Audiovisual [1433]  
Detailed record - Creative Commons

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