Aproximación "corporal" al pensamiento coréutico-musical de Luigi Boccherini a partir del célebre minueto
Pessarrodona, Aurèlia, 1978- (Universitat Autònoma de Barcelona. Departament d'Art i de Musicologia)
Ruiz Mayordomo, María José (Universitat Autònoma de Barcelona. Departament d'Art i de Musicologia)

Títol variant:	Corporeal approach to Boccherini's choreomusical thought from the celebrated minuet
Publicació:	Madrid; Sant Cugat : Asociación Lugi Boccherini; Editorial Arpegio, 2013
Resum:	En el marco de una investigación musicológica y coreológica, se analiza aquí la relación de Boccherini con la música de danza, por una parte, reconstruyendo el contexto músico-coréutico del compositor y, por otra, profundizando en la peculiar "bailabilidad" de su música, desde una innovadora perspectiva transdisciplinar y práctico-teórica de análisis a partir del propio cuerpo del danzante "ideal" del siglo XVIII, capaz de comprehender la gestualidad de la música de Boccherini a través de los diversos lenguajes coréuticos presentes en sus obras.
Resum:	According to contemporary literature, in the second half of the 18th century the concept of minuet changed drastically. But it is a phenomenon practically ignored in choreographic and musicological studies. To begin an investigation into this new conception of minuet, we start from the composer Luigi Boccherini as one of the greatest cultivators of the genre in the second half of the 18th century. This new conception of the minuet and its relationship with Boccherini raises several questions: did Boccherini's direct relationship with choreographic practice influence his musical conception of the minuet? Did this conception change as this form evolved? Does any Boccherini minuet function as a sound impulse for all types of minuet choreography from the second half of the 18th century in Spain? In this paper we will try to answer these questions through two approaches: a) Study of the choreographic phenomenon in the light of the contemporary dance treatises closest to his environment and with those with whom he could have a direct relationship through practice, such as his sister María Ester and his brother-in-law, the dancer and choreographer Onorato Viganò, together with the treatise writer Gennaro Magri. b) Study of the musical phenomenon, studying the evolution of rhythmic patterns and their agreement or discordance with the basic patterns of the choreutical articular units that make up the choreographic phrases in the minuet. This type of research requires a transdisciplinary approach that involves a syncretic dialogue between choreography and musicology. The minuet as a choreomusical form in the last third of the 18th century has lacked, until now, a comprehensive transdisciplinary study. Thus, in this paper we propose a new transdisciplinary perspective (choreomusical and theoretical-practical) on the choreographic aspect in Luigi Bocherini's music starting from the minuet form.
Nota:	Este artículo ha sido realizado gracias a una ayuda de movilidad posdoctoral otorgada por el Ministerio de Educación de España a Aurèlia Pessarrodona, financiada mediante el Programa Nacional de Movilidad de Recursos Humanos del Plan Nacional de I-D+i 2008-2011, para investigar en el Dipartimento della Musica e dello Spettacolo de la Università di Bologna (Italia). También ha sido de gran utilidad la investigación llevada a cabo por María José Ruiz Mayordomo durante tres meses en la Universidad Federico II de Nápoles (2010).
Drets:	Tots els drets reservats.
Llengua:	Castellà
Document:	Capítol de llibre ; recerca ; Versió publicada
Publicat a:	Estudios musicales del clasicismo, 2013, p. 43-76

Disponible a partir de: 2100-01-01

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