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Articles, 3 records found

Articles	3 records found

8 p, 5.9 MB

Tres «modelli» donados como originales de David Teniers el Joven por la duquesa-viuda de Pastrana al Museo del Prado que atestiguan una venta ilegal / Posada Kubissa, Teresa (Museo Nacional del Prado)
En 1889 ingresaron en el Museo del Prado tres cuadros donados por la duquesa-viuda de Pastrana como originales de David Teniers el Joven. Estos tres cuadros no han sido nunca incluidos en los catálogos del Museo y Díaz Padrón tampoco los recogió en sus dos compendios de la pintura flamenca de dicha pinacoteca. [...]
El 1889 van ingressar al Museu del Prado tres quadres donats per la duquessa-vídua de Pastrana com a originals de David Teniers el Jove. Aquests tres quadres no han estat mai inclosos en els catàlegs del Museu i Díaz Padrón tampoc no els va recollir en els seus dos compendis de la pintura flamenca d'aquesta pinacoteca. [...]
In 1889 three paintings were donated to the Prado Museum by the Dowager Duchess of Pastrana which were originally believed to be originals by David Teniers the Younger. These three paintings have never been added to the museum's catalogues, nor did Díaz Padrón mention them in his two compendia of the Flemish paintings in the Prado. [...]
2023 - DOI (Digital Object Identifier)

10.5565/rev/locus.482
Locus amoenus, Vol. 21 (2023) , p. 59-66 (Articles)

Detailed record -

27 p, 704.4 KB

As fábulas na Tapeçaria de Bayeux : inter-relações entre margem e centro na narrativa da conquista da Inglaterra no século XI / dos Reis, Jaime Estevão (Universidade Estadual de Maringá (Brasil)) ; Zierer, Adriana (Universidade Federal do Maranhão (Brasil)) ; Ferrarese, Lúcio Carlos
Este artigo tem por objetivo compreender o papel que as fábulas retratadas nas ilustrações marginais da Tapeçaria de Bayeux desempenham em relação à narrativa principal. Apresentamos o contexto histórico da criação desta fonte referente à Batalha de Hastings de 1066, as relações entre a narrativa e seu contexto, com as fábulas. [...]
This article's objective is to comprehend the role that the fables depicted in the marginal illustrations of the Bayeux Tapestry perform towards the main narrative. We present the historical context of the source's creation, concerning the Battle of Hastings of 1066, the relations between the narrative and its context, with the fables. [...]
2015
Mirabilia, Núm. 20 (January-June 2015) , p. 1-27 (Thematic number)

Detailed record -

24 p, 538.6 KB

Alfonso el Magnánimo y Jan van Eyck: pintura y tapices flamencos en la corte del rey de Aragón / Cornudella i Carré, Rafael (Museu Nacional d'Art de Catalunya)
Alfonso el Magnánimo tuvo en su poder al menos un par de obras suyas, según nos cuentan las fuentes. Esta apreciación particular del gran maestro flamenco se inscribe naturalmente dentro de un fenómeno más general, cual es el de la emulación, por parte de tantas cortes regias o principescas europeas, del modelo de mecenazgo y de los ideales culturales de los reyes y los príncipes de la casa de Valois, incluyendo, por supuesto, la rama de los duques de Borgoña. [...]
Already during his lifetime Jan van Eyck was the most celebrated painter in Europe, and King Alfonso the Magnanimous possessed at least a couple of works by the painter, as sources record. This particular appraisal of the great Flemish master is naturally in keeping with a more general phenomenon, the emulation by so many European royal and princely courts of the model of patronage and cultural ideals of the kings and princes of the House of Valois, including the branch of the Dukes of Burgundy. [...]
2010 - DOI (Digital Object Identifier)

10.5565/rev/locus.201
Locus amoenus, Núm. 10 (2009-2010) , p. 39-62

Detailed record -

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