| Date: |
2007 |
| Abstract: |
A concepçao de música elaborada por Santo Agostinho no seu tratado De Musica reflete sua incansável investigaçao acerca de Deus, elaborando a música em perfeita congruencia com o amor a Ele devotado e instituindo um harmonioso vínculo entre a beleza sensível e a Beleza Suprema. Para investigar sua concepçao estética musical, foi adotada como principal referencia, além do referido diálogo, a obra Traité de la musique selon l'esprit de Saint Augustin, de Henri Davenson. |
| Abstract: |
The conception of music elaborated by Saint Augustine in his dialogue De Musica reflects the untiring investigation about God, developing the music in a perfect congruency with the love devoted to Him and establishing a harmonious entail between the sensible beauty and the Supreme Beauty. To investigate his musical aesthetical conception, it was adopted as main reference, over there the referred dialogue, the work Traité de la musique selon l'esprit de Saint Augustin, by Henri Davenson. |
| Rights: |
Tots els drets reservats.  |
| Language: |
Portuguès |
| Document: |
Article ; recerca ; Versió publicada |
| Subject: |
Filosofia patrística ;
Estética musical ;
Diálogo De Musica ;
Patristical philosophy ;
Musical aesthetics ;
De Musica dialogue |
| Published in: |
Mirabilia, Núm. 7 (December 2007) , p. 132-143, ISSN 1676-5818 |
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