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La inmolación de las viudas en la India : historia, simbolismo y abolición del Sati (1829)
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Jaramillo, Iván (Universitat Pompeu Fabra)
La práctica del Sati, entendida como la autoinmolación ritual de viudas hindúes en las piras funerarias de sus esposos, ha sido una de las tradiciones más controvertidas y simbólicas del hinduismo. [...] The practice of Sati, understood as the ritual self-immolation of Hindu widows on their husbands' funeral pyres, has been one of the most controversial and symbolic traditions within Hinduism. This article analyzes its mythological origins through the figure of the goddess Sati and her connection with the god Shiva, as well as its integration into sacred Hindu texts as a demonstration of chastity and conjugal devotion. [...]
2025 - 10.5565/rev/indialogs.350
Indialogs : Spanish journal of India studies, Vol. 12 Núm. 2 (2025) , p. 61-79 (Articles)
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8 p, 226.6 KB |
A Review of The Trauma of Caste. A Dalit Feminist Meditation on Survivorship, Healing and Abolition
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Malik, Sonia (Hindu College, Sonipat, Haryana)
Obra ressenyada: Thenmozhi SOUNDARARAJAN, The Trauma of Caste. A Dalit Feminist Meditation on Survivorship, Healing and Abolition. California: NORTH ATLANTIC BOOKS, 2022. ISBN 978-1623177669.
2025 - 10.5565/rev/indialogs.328
Indialogs : Spanish journal of India studies, Vol. 12 Núm. 2 (2025) , p. 169-176 (Reviews)
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Fictionality as Augmenting Authenticity : A Demonstrative Analysis of Sanjay Leela Bhansali's Gangubai Kathiawadi
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M, Jayadaarini (Presidency College, Chennai)
Biopics, re-enactment of true lives on screen as it can be defined, has emerged and evolved as early and dynamic as cinema itself in alignment with the social and historical contexts of production. As they appeal to present lived experiences through a highly popular medium, they acquire historicising and commercialising tendencies which in turn influence their fictionality. [...] Las biopics, la recreación de vidas reales en la pantalla, surgieron y evolucionaron de manera tan pronta como el cine en sí mismo, en línea con los contextos sociales e históricos de la producción. [...]
2025 - 10.5565/rev/indialogs.348
Indialogs : Spanish journal of India studies, Vol. 12 Núm. 2 (2025) , p. 43-59 (Articles)
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25 p, 699.3 KB |
Livelihood Challenges of the Muga Silk Saree Weaving Community : A Case Study of Sualkuchi, Assam (India)
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Jamal, Shahid (Kirori Mal College, University of Delhi) ;
Baber Ali, Mohammed (Kirori Mal College, University of Delhi) ;
Moin, Khusro (Kirori Mal College, University of Delhi) ;
Shree, Karuna (Kirori Mal College, University of Delhi)
Muga silk, known as the golden thread, has been reared from a peculiar type of silkworm called muga since time immemorial. The silk is widely grown in Sualkuchi, renowned as Manchester of Assam, as a large population is engaged in handloom industry there. [...] La seda Muga, conocida como el hilo dorado, se ha extraído desde tiempos inmemoriales de un peculiar gusano de seda llamado muga. Se cultiva en gran medida en Sualkuchi, conocido como el Manchester de Assam en India, donde una gran parte de la población tejedora se dedica al sector de los telares. [...]
2025 - 10.5565/rev/indialogs.307
Indialogs : Spanish journal of India studies, Vol. 12 Núm. 2 (2025) , p. 101-125 (Articles)
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