| Date: |
2013 |
| Abstract: |
In this paper, which is exploratory in character, I address the question of whether, how, and what we know through artistic improvisation. Has artistic improvisation a specific cognitive supply? Can this alleged cognitive supply contribute to the aesthetic merit of the performance? And how? In order to answer these questions I will first explain which is exactly the problem we face. Secondly, I will try to give some suggestions to solve this problem. |
| Rights: |
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| Language: |
Anglès |
| Document: |
Article ; recerca ; Versió publicada |
| Published in: |
Disturbis, Núm. 14 (2013) , p. 1-22, ISSN 1887-2786 |
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