Arte sumerio ante arte moderno
Azara, Pedro (Universitat Politècnica de Catalunya)

Additional title: Sumerian Art and Modern Art
Date: 2016
Abstract: "Primitive" (African) "art", discovered and exhibited in Colonial and Universal Exhibitions, and Ethnographic Museums, during the European colonial period, at the beginning of the 20th century, had a strong impact on modern artists. Mesopotamian finds (statues, tablets) in the south of Iraq, between the two World Wars, by archaeological missions in what was then colonial territories, well promoted thanks to the media (publications, lectures, pictures, radio programs, and temporary exhibitions), fascinated surrealistic artists, such as Moore, Michaux or Giacometti, too. At the same time, the lecture of translations of mythical texts written in Sumerian, such as the Gilgamesh Poem, where a hero tried to understand and to accept the human condition, was a source of inspiration of artists such as Willi Baumeister during the devastated years of the Second World War.
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Language: Castellà
Document: Article ; recerca ; Versió publicada
Subject: Mesopotamia ; Sumer ; Iraq ; Gilgamesh ; Ancient art ; Primitive art ; Modern art ; Moore ; Giacometti ; Le Corbusier ; Michaux ; Baumeister ; Hepworth ; Miró ; Documents ; Cahiers d'art
Published in: Historiae, Núm. 13 (2016) , p. 1-20 (Articles) , ISSN 2462-3636

Adreça alternativa: https://raco.cat/index.php/Historiae/article/view/326498


20 p, 1014.1 KB

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Articles > Published articles > Historiae
Articles > Research articles

 Record created 2017-07-10, last modified 2024-11-23



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