Proyectar la Historia : testimonio, denuncia y memoria en el cine argentino posdictadura

Fecha:	2006
Resumen:	This paper analyzes a series of films that, in different ways, seeks to represent the last Argentine dictatorship. The possibility of interpreting the thematic and formal recurrences of the films, as a defining characteristic of a specific series, is posed as a first hypothesis. A second hypothesis postulates the possibility of relating aesthetic and rhetorical transformations of the series to certain socio-political processes, such as the democratic governmental policies on Human Rights and the demands of old and new Human Rights organizations, both of which implied a historic evaluation of the former period. These processes are observed in the modification of the reading contract proposed to the spectator in the films, under the different motifs which intervene in the construction of the enunciate: "testimony", "denunciation", and "memory", respectively.
Derechos:	Tots els drets reservats.
Lengua:	Castellà
Documento:	Article ; recerca ; Versió publicada
Publicado en:	DeSignis, Núm. 10 (Octubre 2006) , p. 167-178, ISSN 2462-7259

7 p, 2.9 MB

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