Programme

CSIC Residence for Researchers, 1st-3rd March 2012

Already available for download the Abstracts Book of the Conference

 



 

      • THURSDAY, 1st

        Auditorium of the Residence for Researchers CSIC

        9.30

        Registration
        10.00 Opening – Welcoming Addresses
        10.30 Opening lecture by Emmanuel Wallon (University of West Paris - Nanterre), En travers des frontières: un théâtre du franchissement.
        11.30

        Coffee break
        12.00

        Presentation: Antoni Ramon (Polythecnic University of Catalonia) and Guillem Aloy (Polythecnic University of Catalonia):  Ciutats del teatre a les fronteres urbanes: La Cartoucherie al bosc de Vincenes de París i la “Ciutat del Teatre” a Montjuïc (Barcelona).
        12.30 Presentation: John London (Goldsmith College – University of London): La frontera nacional a l’escenari: una realitat irònica.
        13.00 Discussion
        13.30 Lunch
        15.30

        Discussion: Nationalisms and National Theatres in Contemporary Europe

        Chair: Sharon Feldman

        Discussants: Carla Bodo (Associacione per l’Economia della Cultura), Phil George (National Theatre Wales), Domènec Reixach (EPCC. THéâtre de l’Archipel) and Kristian Smeds (Smeds Ensemble).


        Parallel sessions

          Auditorium of RR Meeting Room of RR Charity Room of Biblioteca de Catalunya (National Library)
        17.30

        Europe –running on rails? The “Orient Express” as border-crossing myth and theatrical experiment,

        Dorothea Voltz (Johannes Gutemberg University Mainz)

        		 SESSION CANCELED

        Scottih Borders, Linguistic Boundary transgression and “The Border”,

        Ian Brown (Kingston University)
        17.50

        From the outside looking in: notes toward a post-IMF Greek dramaturgy,

        Aktina Stathaki (Between the SEAS Festival)

        The Theatre of Debbie Tucker Green: a Dramaturgy of the Border,

        Enric Monforte (University of Barcelona)

        Porductive Alliances? Nationhood, National Theatre, Culture and polítics in Wales,

        Anwen Jones (Aberystwyth University)
        18.10

        La incorporació del paradigma de la diversitat a les institucions escèniques de Catalunya,

        Jordi Baltà Portolés (Interarts)

        Empire, Resistance and the Creation of Borderlands in Moira Buffini’s “Welcome to Thebes”,

        Clara Escoda Agustí (University of Barcelona)

        Literature des Unworts,

        Teresa Rosell Nicolás (University of Barcelona)
        18.30

        (Altres) espais per a l’escena: el cicle Bona Gent, de Roger Bernat

        Ivan Alcázar Serrat (Universitat Politècnica de Catalunya)

        Ambivalent Borders in David Greig’s “Europe”,

        Verónica Rodríguez Morales (University of Barcelona)

        De Carlo Giuliani als indignats: deu anys de dramatúrgies de la contrainformació

        Antoni Galmés (University of Barcelona)

         

        19.15 Discussion



      • FRIDAY, 2nd

        Auditorium of the Residence for Researchers CSIC

        10.00

        Invited speaker: W. B. Worthen (Barnard College – Columbia University) Bordering Performance: Writing (Post)Dramatic Performance in the Digital Age.
        11.00

        Presentation: Mireia Aragay (University of Barcelona) Borders, Thresholds and Crossings: Liminal Spaces in post-1989 British Theatre.
        11.30 Coffee break
        12.00 Presentation: Francesc Cortés (University Autonomous of Barcelona):  Sono io / Ich bin? La polièdrica identitat nacional a través del gènere líric entre els segles XIX i XX

         

         Parallel sessions

          Auditorium of RR Meeting Room of RR Charity Room of BC
        12.40

        Rehearsedmethodologies: are the borders of normative critical scholarship challenged through theatre, or is theatre reproducing normativity? An interdisciplinary discussion,

        Janique Dubois (University of Toronto) i Anastasia Tataryn (Birbeck College School of Law, University of London)

        Heading Elsewhere: Europe as Utopia in Britain Theatre,

        Marilena Zarouilia (University of Winchester)

        Poetics of Bordering in Kristian Smed’s “Mental Finland”,

        Hana Worthen (Barnard College – Columbia University)
        13.00

        Les enjeux polítiques et artístiques du théâtre de l’immigration et de la scène ‘beur’ en France,

        Souria Shali-Grandi (Université d’Evry Val d’Essone)

        The Geopolitics of European Theatrer: Tom Stoppard, David Edgar, Harold Pinter,

        Brigitte Gauthier (University of Evry Val d’Essone)

        The Limits of my World in a “Land without Words”,

        Kàtia Pago (Universitat Autònoma de Barcelona)
        13.20

        On the Borders of Everydayness: The thematic motif of migration and expatriation in Dramaturgy as an indicator of social attitudes,

        Panagiota Sotirchou (Athens University)

        Surtitles: Crossing Old and New Borders,

        Anika Vervecken (Vancouver Opera)

        “Cargo Sofia” by Rimini Protokoll as transit on the threshold: A Performative Crossing of EuropeanBorderlines within the own city,

        Annika Wherle (Johannes Gutemberg University Mainz)
        13.40 Discussion
        14.00 Lunch
        16.00

        Limits and Limitations of European Thought: Disorder, Confluence, Undefinition, Hybridization in Contemporary Theatre,

        Diana González (University of Aarhus)

        Staging History in Post-Wall-Germany. “Material” by Thomas Heise and “Allemagne Neuf Zéro” by Jean-Luc Godard,

        Elisabeth Büttner (University of Viena), Gudrun Lena Stölz (University of Viena) i Markus Lehner (University of Viena)

        		 SESSION CANCELED
        16.20

        Quan la frontera esdevé pantalla... o la teoria dels dispositius aplicada a l’anàlisi de la relació teatral: cap a una lectura intermedial de la quarta paret,

        Fabrice Corrons (Universitat de Tolouse-le-Mirail)

        El “Othello” de Ostermeier: el Otro-europeo,

        David Eudave

        Aproximació a les incursions i apostes frontereres en els espectacles d’Angélica Liddell,

        Mercè Ballespí (Aula Municipal de Teatre de Lleida)
        16.40

        Hacer frontera. Testimonio y heterotopía en la pràctica escènica como investigación,

        Andrea Álvarez Pino (Universidad de Santiago de Compostela)

        Una mirada al abismo desde el exilio: crisis de la representación y dilemes éticos en “La fragilidad de la memòria”, de Victoria Szpunberg,

        Gino Luque Bedregal (Universidad Católica Pontifícia de Perú)

        Living in a terminal,

         

        Elena Marcevska (University of Northampton)
        17.00 Break
        17.30

        No encounter without border. An interdisciplinary study about the actor-spectator’s intersubjectivity,

        Gabriele Sofia (Sapienza Università di Roma)

        Apuntes para una “Orestíada” sudaficana: Las fronteres con lo clásico en el teatro de Yael Farber (2003),

        Daniela Palmeri (Universitat Autònoma de Barcelona)

        The ‘Third Space’ of the Border Subject in Process in Brian Friel’s “Philadelphia Here I Come!”,

        Hatice Esberk (Middle East Technical University)
        17.50

        Al llindar cap a l’altre: sistemes, límits, transgressions entre el teatre i el món,

        Christina Schmutz i Frithwin Wagner-Lippok

        Tres autors traspassant les fronteres locals: Sergi Belbel, Pau Miró i Guillem Clua,

        Carlota Benet i Cros (University of Richmond)

        Derivaciones en la identidad del espacio escénico asociadas a los medios audiovisuales digitales interactivos a partir de “Cotrone” (puesta en escena de Marcel·lí Antúnez Roca),

        Taisma Caparrós (Universitat Autònoma de Barcelona)

         

         

                    • SATURDAY, 3rd

                      Auditorium of the Residence for Researchers CSIC

                      9.30

                      Invited speaker: José Antonio Sánchez (University of Castilla-La Mancha): Trascendencia y barbarie.
                      10.30 Presentation: Jordi Lladó (Open University of Catalonia):  Recepció del teatre català a França (1999-2010): abast i límits.
                      11.00 Coffee break
                      11.30

                      Presentation: Riikka Laakso and Víctor Molina (Theatre Institute of Barcelona):  La tentación de Hermes: Las fronteres en danza y su experimentación del con-tacto en cuerpos europeos.


                      Parallel sessions

                        Auditorium of RR Meeting Room of RR Charity Room of BC
                      12.10

                      Challenging the Border: Contemporary Theatre Practice in European Festival Circuit,

                      Lourdes Orozco (University of Leeds)

                      Peeping through the theatre curtain: The early musical actions of Joan Brossa and Josep M. Mestres Quadreny,

                      Germán Gan Quesada (Universitat Autònoma de Barcelona) i Helena Martín Nieva (Universitat Ramon Lllull)

                      		  
                      12.30

                      Una Europa sense atributs? Espectacles basats en textos no dramàtics als Països Catalans entre les temporades 1999-2000 i 2009-2010,

                      Xavier Serrat (Universitat Autònoma de Barcelona)

                      Hibridación y processos (cross)culturales en la música escènica recinte: los casos de Heiner Goebbels y José María Sánchez-Verdú,

                      Pedro Ordóñez Eslava (Universidad de Granada)

                      		  
                      12.50

                      Braeking down sensory barriers: opera accessibility for audiences differing visual and hearing ability,

                      Sarah Weaver (Durham University)

                      Bach en mouvement. Hybridation expressive et choralité dans “Pitié!”, d’Alain Platel et Fabrizio Cassol,

                      Serge Dambrine (Université d’Evry Val d’Essone)

                      		  
                      13.10

                      Multilanguage and Multimodal Theatre and Opera. New audiences, diferent receptions and complex perceptions,

                      Jordi Carrabina (Universitat Autònoma de Barcelona), Javier Serrano (Universitat Autònoma de Barcelona), Pilar Orero (Universitat Autònoma de Barcelona)

                       

                      		  

                       

                      13.30 Discussion

                      Auditorium of the Residence for Researchers CSIC

                      13.45 Clossing lecture by Manuel Molins (playwriter and essayist): Fronteres i teatre a l’era de la desintegració, les pantalles, la mediació i l’avarícia.


        *Download the Conference Programme here (*pdf)

         

        SOCIAL PROGRAMME

        We also offer the possibility to join the Social Programme with the following activities:

        •     Divendres 2nd, “Incendis” by Wadji Mouawad at Teatre Romea (20.30-23.00h)


        Single price for all activities: 60 €

        Payment to be realized along with the bank transfer required for the conference inscription form. Please mark the box indicating “Social Program” / “Programa Social” on the inscription form.


        Crèdits de les imatges: Esbós escenogràfic de Maurici Vilomara (1890 ca.). Esbós escenogràfic per a La filla del mar, d’Àngel Guimerà, de Maurici Vilomara (1900). Fons del MAE – Centre de Documentació i Museu de les Arts Escèniques de Barcelona