"There Are the Pyrenees!" Fortifying the Nation in Francoist Spain
Gorostiza, Santiago (Universitat Autònoma de Barcelona. Institut de Ciència i Tecnologia Ambientals)

Fecha:	2018
Resumen:	Literature on war and the environment has examined a wide range of militarized landscapes, but massive fortification systems such as the Maginot or Siegfried lines, which are symbols of a military trend in vogue during the interwar period, have largely been ignored. These military walls interwove natural and national values and constituted massive landscape interventions, aimed at reinforcing political borders, embedded in-and relying upon-geographical features. This article examines a late example of this trend: the fortification of the Pyrenees border that the Spanish dictatorship carried out during the 1940s. Particularly after the liberation of France in 1944, the Francoist regime engaged in a serious effort to build a fortification system in the Pyrenees, fearing a potential invasion; by the early 1950s, several thousands of bunkers formed what became the Pyrenees Line. Through these efforts, the Francoist army attempted to convert what Spanish fascists regarded as a spiritual wall-the political border with France-into a truly physical separation. Today, the remaining fortifications are material ruins of the Spanish isolation after the Second World War, when the Francoist regime closed in on itself, until the Cold War, when Francisco Franco became a US ally. Altogether, the case of the militarization of the Pyrenees shows how walls, fences, and other forms of fortification can be a fertile ground for environmental history to explore the mix of culture and nature as well as the political implications of the concept of natural borders.
Ayudas:	European Commission 289374 Ministerio de Economía y Competitividad MDM-2015-0552
Nota:	Unidad de excelencia María de Maeztu MdM-2015-0552
Derechos:	Aquest document està subjecte a una llicència d'ús Creative Commons. Es permet la reproducció total o parcial, la distribució, i la comunicació pública de l'obra, sempre que no sigui amb finalitats comercials, i sempre que es reconegui l'autoria de l'obra original. No es permet la creació d'obres derivades.
Lengua:	Anglès
Documento:	Article ; recerca ; Versió publicada
Publicado en:	Environmental history, Vol. 23, issue 4 (Oct. 2018) , p. 797-823, ISSN 1084-5453

DOI: 10.1093/envhis/emy051

27 p, 1.4 MB

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